Discusses panoramas, a quasi artistic-theatrical genre that flourished throughout the nineteenth century and which were, in their own right, a dramatic genre which captured and held the attention of an audience through a combination of broad narrative line, graphic description, telling verisimilitude of action, and infectious comic intrusions.…

A discussion of the three small theatres of Prague, the Balustrade, the Drama Club, and the Gate, and their significance as a symptom and even as a contributory cause of socio-cultural realities." (Author/DR)

Paper presented at the Second Congress of the International Organization of Sceneographers and Theatre Technicians in Prague, June 1971. (RY)

Compares findings of what is happening in Russian theatre today with what was being done in the 30's. Particularly discusses the work of Georgi Tovstonogov, Director of the Gorki Theatre in Leningrad, and Yuri Liubimov, Director of the Taganka Theatre in Moscow. (RB)

Adapted from a forthcoming book, this article presents a history of the traveling medicine shows that flourished at the end of the nineteenth century. (RY)

Presents a list of the various texts of Williams's plays which were published prior to 1977, including plays produced but not yet published. Notes the existence of unpublished versions of printed plays when such were used for a production. (JMF)

Limited almost exclusively to books and articles published in English. (CH)

Focuses on the traditional comic acting style that prevailed in England from 1820 to 1840 by examining the acting of the commedienne whose sixty-year career spanned the first half of the century. (MH)

A review of five New Theatre" productions dealing with mythic and biblical themes. (RY)

The conference reported here was attended by educators and theater professionals from 24 countries, grouped into five discussion sections. Summaries of the proceedings of the discussion groups, each followed by postscripts by individual participants who wished to amplify portions of the summary, are presented. The discussion groups and the editors…

Discusses the paradox of plays as written literature and as dramatic performance. (CH)

Methods of audience research in theatre environments. (CH)

The basic arrangement of this review is by country, with entries for Great Britain and the United States sub-divided into periods. (RN)