Questions whether professional organizations have had much positive effect on art teaching and art literacy, stating that the contributions of teacher and arts education groups have been contradictory. Examines the structure of various organizations, arguing that too many replicate objectives and territory. Makes suggestions for improving…

Discusses the demand for K-12 art teachers, the college admission criteria for art teacher education, and whether the best students are those who graduate and enter the field as teachers. Describes the qualities that characterize the best students, stating that talent and love of subject are important teaching success indicators. (GEA)

Proposes that the nature and need of the learner dictate decisions about who teaches arts and what an arts education should be. Maintains that teaching partnerships be established within the arts education community to revitalize the arts curriculum and outlines a model for a school arts program. (TRS)

Discusses the role arts education plays in the excellence of over-all education and the right of equal access to that excellence. Stresses that the major issues involve appropriately prepared teachers and setting new budget priorities in order to provide equal access to arts education. (KO)

An argument is made for increasing community-based art education programs for adults. Identification of this need emerged from information gathered in a 24-month field research project designed to examine how the attitudes of persons supporting the arts might influence local school policies on arts education. (KO)

Suggests the 1980s education reform movement created a climate that was benefited for arts education. Argues that the arts education community should use commitment to excellence as a means to achieve comprehensive and sequential curriculum. Criticizes the notion that education should build skepticism of, rather than appreciation for, excellence.…

Examines the need for the study of architecture and product design in the K-12 curriculum. Describes a model for an integrated design studio that promotes creativity. Recommends ways that people from the community can help in the classroom and suggests ways that art teachers can be trained. (KM)

Examines historical and philosophical issues that have affected the involvement of state arts agencies in elementary and secondary school arts programs. Analyzes the arts education activities of 47 Arts in Education coordinators and discusses emerging trends in agency activities that appear to be important to future school-based program…

Debates the issue of whether generalists or specialists should teach art. Points out the strengths of each, maintaining the decision must consider educational philosophy, instructional approach, and teacher competence, as well as the permissible parameters of budgeting and staffing. Suggests that the two could team for success. (TRS)

Maintains that art education programs in United States schools are in desperate need of strengthening. Provides practical advice on how to begin this process, including: teacher training, inservice workshops, forming new partnerships between schools and museums, and various forms of advocacy. (JDH)

Presents ideas concerning the art-as-center and art-as-means dichotomy, European heritage, the art and humanities relationship, and the economic context. Synthesizes some of these ideas and makes recommendations about priorities for policy work. Suggests that both the graduate research establishment and the professional organization need to look…

Discusses three areas in which art education can be expanded: the multicultural, the media, and the church. Urges a better understanding of the need for extensive cooperation and new initiatives among leaders in these crucial areas, and encourages the integration of the different areas of art education. (LS)

Claims that art programs have made a less than positive impact upon consumers due to the fragmented nature of the curriculum. Argues that art should have content which can be taught, learned, and evaluated. Sees discipline-based art education as instrumental in placing visual art in a more academic setting. (KO)

Traces financial support of the arts over the past 40 years to point out how little change has been brought about from the increased private and governmental patronage. Maintains that educational failure of the arts, producing art/culture insufficiencies, must be corrected. (TRS)

Discusses the preservice education of art teachers. Suggests that there are three major challenges for teacher education programs. Points out the need to individualize such programs, the need to update curricula in order to answer the call for reform, and the need to ensure that teachers have a firm commitment to art. (KO)