Argues that theater students must be encouraged to keep competition in perspective. Points out that too often program growth and support are dependent upon the number of honors that participants receive. Emphasizes that competition should be engaged in for its positive learning potential or should be abandoned as a student activity. (KO)

Outlines a comprehensive integrated program of arts education for the public schools. Describes the role that each of the following should have in such a program: the federal sector, the regulatory and curricular sector, the professional associations sector, the advocacy sector, the commercial sector, and the arts world. (KO)

Discusses the connection of the arts and art education with politics, advocating that art educators can improve the status of arts in U.S. schools by applying political leverage and the insights of political science. Examines the Finnish system of arts education as a possible model for the United States. (GEA)

Argues that art skills can be taught, but the way that individual artists use those skills cannot be taught. Discusses how teachers in the arts require different preparation from that provided today and that new approaches are needed to teach art lovers and aspiring professionals. (KM)

Discusses the National Endowment for the Arts' recommendations for Basic Arts Education in "Toward Civilization." Considers how basic arts education is different from Discipline-based Art Education and the resulting implications for art teachers. Suggests that academics be funded to research program implementation and that an applied…

Discusses the potential impact of the recent call for cultural literacy on arts education. Describes current design approaches in the arts education curriculum. Suggests a number of ideas that are deemed important for curriculum reform. Cautions that curricular changes, although much needed, must be thoughtfully considered before implementation.…

Discusses television's influence on today's youth culture and examines measures that may be taken to limit or change the nature of that influence. Warns that efforts to control television programing will continue to fail until educators understand that television is an integral part of the youth culture, not just an influence.(KO)

Proposes a model for a comprehensive arts curriculum. Discusses the significant phases of the curriculum and relates them to each other. These phases include identification of values, conceptualization, systematizing, interpretation, operation, and experience. Lists five objectives that serve as criteria for judging the worth of curricula. (KO)

Argues for the necessity of identifying and recruiting art education teachers who will empower their students. Stresses that persons of this sort will be teachers who know art not just artists who teach. Identifies systemic and personnel changes which are necessary for increased assimilation of the arts into schools. (KO)

Looks at the relationship of the arts to corporations. Defines how this relationship might be applicable to arts education. Gives examples of corporations as contributors in the areas of funding media resources, of development and use of technology as a creative or instructional tool, and in providing human resources for endeavors. (KO)

Challenges the assumptions behind discipline-based art education. Defends studio art as educationally sound relative to learning theory and characterizes it as the best defense against the exclusion of art from the curriculum. Recommends studio art as a means for balancing curriculum already skewed toward analytically abstract teaching…

Explores the state of arts education research. Suggests policy studies of the arts education research system as a possible remedy for the current problems found in this field. Notes that the success of a research agenda is dependent upon the resolution of a number of administrative and leadership issues. (KO)

Three arts educators comment on the relationships among skills, knowledge, and creativity in the arts curriculum. Charles H. Ball states that these elements should be balanced in the curriculum. Eunice Boardman suggests that adequate statement of curricular goals does away with the need for balancing. Karen A. Hamblen notes that the three elements…

Outlines how past art education provided a refuge for students from the rigors of other academic subjects. Observes that in recent years art education has become "discipline based." Argues that art educators need to reaffirm their commitment to a humanistic way of knowing. (KM)

Examines the effect that modern art has on society, investigating incidents of vandalism and public approval of those incidents. Discusses Plato's critique of the arts and artists, considering who should be entrusted with moral education. Concludes that a society that possesses the courage to face an unknown future will support a free art. (GEA)