Presents a comparative analysis of two pieces of computer-based interactive multimedia whose words are similar but visual structures different. Argues that the visual aspects of these texts are "idea" and "assertion," doing the work of "content" and "information." Suggests that educators need to expand or…

Presents a comparative analysis of two pieces of computer-based interactive multimedia whose words are similar but visual structures different. Argues that the visual aspects of these texts are "idea" and "assertion," doing the work of "content" and "information." Suggests that educators need to expand or…

Maintains that writing teachers, and thus also their students, have become obsessed with revision as an end in itself. Suggests that the writer-computer relationship is displacing the writer-audience relationship in the rhetorical situation and may often function to isolate writers. (SR)

Notes that feminist interventions are communicative acts that bring attention to shifting power relations within a specific discursive context. Argues that enacting feminist interventions in online environments changes the online community's identity and narrow sense of audience, and that creating feminist multimedia helps ensure a more human,…

Recounts and analyzes how e-zines were used in first-year writing courses to enhance students' rhetorical sensitivity to considerations of audience. Concludes that through the use of e-zines, students, on their own initiative, began exploring ways to use writing to provoke an audience to consider alternative views, a project which encouraged some…

Studies problems students face when visualizing a hypertext audience. Traces students' problems with audience analysis to three independent issues: (1) letting operational and functional levels of construction take precedence over figurative meaning; (2) confusing demands of print and oral audience expectations; and (3) conceiving of hypertext as…

Notes new Internet writing environments differ significantly from print forms: they allow texts to evolve--to change their purpose and audience over time. Suggests they allow for new forms of collaboration--texts organize themselves without an omniscient editor shaping them. Concludes that, as a profession, composition instructors need to…

Explores the differences between e-mail and paper mail, focusing on audience, interface, and rhythm of response. Argues that technological change triggers other changes in a system, creating discomfort, and that this discomfort should not prevent English and writing teachers from studying and accepting e-mail as a legitimate site for writing. (RS)

Presents a pedagogy for teaching writing students a theory of interlocutor relationships in synchronous computer conferencing (SCC), also known as chat. Constructs four major categories of interlocutor relationships: agonistic, hierarchical, dialectical, and empathic relationships. Argues application of this rhetorical theory provides students and…

Presents accounts of two teachers using electronic portfolios. Relates how moving peer reviews and explanatory papers from manila folders to electronic portfolios helped students become more aware of peers as audience. Describes the unsettling effect of students who chose to invest their energy in dynamic online dialogs rather than in the…