Articles contained in this publication are (1) "Criticism in Teaching Literature" by Wayne Booth; (2) "Criticism and Literature: A Reply" (to Booth's article) by Frederick J. Hoffman; (3) "Criticism in Context" by Helen C. White; (4) "Formalist Criticism and Shakespeare" by Kester Svendsen; (5) "Grammar, History, and Criticism" by Kenneth S.…

Offers a list of English poetry set to music. Includes only recordings that are currently available and poetry that is commonly taught or that can be taught better because of the existence of the music. (EL)

Considering the plethora of annotation which accompanies John Milton's poetry, a plan of the structure of "Paradise Lost" is offered as an aid to comprehension for undergraduate students and as a teaching guide for college teachers. The poem is divided into three parts of four books each for pedagogical purposes, and major themes and…

Extremists, whether formalists of the New Criticism or of the humanist-moralist tradition, are taken to task in this attempt to combine elements of both in a more pluralistic approach to literary criticism. An analysis of a Frost poem, "Stopping by Woods", is attempted as an illustration of a kind of criticism that seeks to clarify the parts of…

A revised English curriculum, based upon different kinds of literary criticism, is counseled in this two-part paper. Part 1 identifies four kinds of criticism--formalist, synoptic, extrinsic, and stylistic. A conventional English Curriculum is briefly outlined. Curricular theories are discussed and positive and negative attempts to define…

The central activity of literary criticism, the understanding of literature, is related to the process of establishing a context for the works of literature being studied. Choosing not to discuss the factual elements of literary criticism, the author clarifies and concentrates on the "lower" and "upper" limits of criticism. While the "lower" limit…

Spontaneity and personal freedom are seen as the fundamental requisites to creative teaching. Unseen pressures leading to increasing conformity in classroom procedures and methods are revealed and constrasted with unique examples of teaching Thoreau, Kafka, and Donne. Teachers are urged to rely upon their own creative impulses. (RL)

A course in advanced composition and analytical reading designed for elementary school teachers is proposed. Stressing the importance of literary appreciation of works of exceptional merit, the author returns to the systematic study of English composition using literature as the basis of the composition course. Some of the authors mentioned are…

A number of techniques applicable to the teaching of Shakespeare are described with some illustrations from the author's own teaching experience. Analysis of dramatic structure receives significant attention with equal space devoted to the Gustav Freytag formula and the author's own technique. Literary, dramatic, social, and personal goals in the…