The way in which the photographic images from the Holocaust explains about the working of the historical narratives and disturb the cultural memory is explored. The reading of these photographic images yields as a byproduct of knowledge, which is described as "forgetful memory".

The author describes the issues raised for him by team-teaching a course on the Shoah that aimed to incorporate familial, historical, and rhetorical perspectives. Considering firsthand testimonies, songs written by camp inmates, renderings of others' stories such as Art Spiegelman's "Maus," and works of fiction and poetry by writers without…