Examines literary theory's displacing of "method" in the New Historicist criticism. Argues that Stephen Greenblatt and Lee Paterson imply that no objective historical truth is possible and as a result do not give methodology its due weight in their criticism. Questions the theory of "truth" advanced in this vein of literary…

Takes issue with Reed Way Dasenbrock's criticism of literary theory and the terms under which literary interpretation and discussion take place. Presents Dasenbrock's reply, which discusses his understanding of certain terms (evidence, truth, debate), his description of the problem, and the logical contradictions he finds internal to…

Argues for a revision of relativism in literary interpretation that supports, rather than undermines, efforts to explore the possibility of judgments of relative plausibility. Illustrates norms of interpretation and canons of evidence with examples drawn from interpretations of Shakespearean plays. Allays fears that any form of relativism…

Attempts to show how each of three influential critical theories--deconstructionism, reader response criticism, and authorial intention--implies a particular view of how literary discourse is or should be processed and indicates that each view is in part justified, but not to the extent claimed by the critics themselves. (CRH)

Discusses the "crisis in representation" experienced in the humanities since the 1960s. Considers the relationship of academic knowledge to political power in terms of an ongoing struggle for representation. Recognizes higher education as a leading agent in redistributing access to representation in the public sphere. (HB)

Argues that the use of evidentials illuminates differences between arguments written by experienced academic writers and those written by student writers. Reveals differences in the epistemological stance underlying both groups. Analyzes discursive examples by both groups. (HB)

Urges the use of new developments in structuralist and poststructuralist theory as the basis for a new practice in the teaching of composition. (CRH)