This article identifies and examines a digital arm of creative writing studies and organizes that proposal into four categories through which to theorize the "craft" of creative production, each borrowed from Tim Mayers's "(Re)Writing Craft: Composition, Creative Writing, and the Future of English Studies": process, genre, author, and…

Roland Barthes's "The Death of the Author" is a foundational text for scholars who are addressing questions of authorship and textual ownership in English studies and its neighboring disciplines. Barthes's essay is typically presented without significant attention to the circumstances and context surrounding its initial English…

As a field, creative writing must reject its traditional image of "uselessness" and realize its anticapitalist, antiprivatizing potential as a creator of public space. In part, this move would involve teaching students to question traditional notions of influence, as well as the modernist concept of the author as a lone, autonomous individual.

Identifying the specific complexities and historical context of post-Mao Chinese literary women's rhetoric, along with ways they have been misread, the author argues in general that Western feminist critics need to be cautious about applying their concepts to non-Western women's literature. (Contains 7 notes.)

In her influential 1988 essay, "Fighting Words," Jane Tompkins argued that the arguments typically made by literary critics are characterized by an aggressive competitiveness that amounts to violence. But, as Tompkins's own rhetorical strategies demonstrate, at least as deplorable are the practices whereby critics render certain people anonymous.…

In this article, the author talks about a critically acclaimed movie "Crash" and what it reveals pedagogically about the paradoxical legacies of the grand experiment in radical democracy. Written and directed by Paul Haggis, "Crash" inundates the viewer with a barrage of the most condescending racial and ethnic insults, which…

Argues that modern cultural and literary forces have altered the direction of literary criticism. Suggests that structuralist criticism has given way to poststructuralism. Asserts that poststructuralism represses differences between apparently separate things while holding that words assume meaning through the operation of language. Critiques…

The Dartmouth conference of 1966 has taken on a legendary stature in the annals of U.S. college composition. In the most familiar accounts (Applebee; Berlin; Harris), Dartmouth provided the stage for a trans-Atlantic encounter of the British growth model and the American curriculum-sequencing model, pitting process and personal growth against the…

Considers how although the influence of "Oprah's Book Club" has been well documented in the popular media, it has received little attention from the academic community. Examines the club as a literacy delivery system, asking how literacy takes its shape from the interests of both Winfrey and her readers. (SG)

By revisiting the work of the Black Caucus and the radical rhetorics connected to Black Power and the black radical tradition, in this essay the author hopes to rebuild a frame where the picture of an African-American-vernacularized paradigm for critical literacy and social justice can emerge. She revisits the twinning of "Black Power/Black…

The position of the historical writer, Chaucer within classroom environment concerned with the creation and nurturing of an ethical consciousness is presented. The way in which an understanding of the writer from this perspective encourages an enhanced critical engagement with personal ethos and critical analysis for both the student and the…

Questions the rhetoric of reproof and asserts the authors' belief that the practice of scholarly critique is generally salutary. Hopes to stand as a testimony to the firm belief in the importance of critique in the ongoing scholarly conversation. Considers ethical problems with (and use of) the rhetoric of reproof, and ethical awareness and the…

Argues that in teaching students to write as critics, educators need to ask them to change not how they think but how they work--to take on a new sort of intellectual practice. Shows how helping students become more aware of choices they make in revising their texts can help them gain control of using the work of others and gain a reflectiveness…

After summarizing typical criticisms of multicultural composition readers, the author draws on work in "New Literacy Studies" to point toward composition pedagogies that encourage multicultural interactions beyond selections in assigned readers. The author suggests that what is ultimately needed is a productive critical frame not only for refining…