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Chen, Shih-Wen Sue; Lau, Sin Wen – Children's Literature in Education, 2021
The girl protagonists in Jean Kwok's "Girl in Translation" and Kelly Yang's "Front Desk" embody and reinterpret the notion of "guai" (loosely translated as "good") in their struggle to adapt to life in America. "Guai" is the most important concept governing childhood in Chinese societies. The word,…
Descriptors: Childrens Literature, Chinese Americans, Language Usage, Acculturation
Dobson, Tom; Stephenson, Lisa; De Arede, Ana – Children's Literature in Education, 2021
Story Makers Press (SMP) is a University-based publisher which co-constructs stories with under-represented groups of children in order to diversify representation in children's literature and disrupt the way adult perceptions of normality pattern children's literature (aetonormativity). In this paper we analyse six drama and creative writing…
Descriptors: Novels, Elementary School Students, Foreign Countries, Minority Group Students
Meeusen, Meghann – Children's Literature in Education, 2018
As critical study of adapted texts moves away from a focus on fidelity to explore questions of adaptive practice, picturebook to film adaptation offers unique opportunities to redirect discourse related to the value of adaptive changes. Because feature-length films made from children's picturebooks "require" filmmakers to add substantial…
Descriptors: Picture Books, Films, Media Adaptation, Childrens Literature
Beauvais, Clementine – Children's Literature in Education, 2013
This article takes as its starting point the concept of aetonormativity (the adult normativity germane to the discourse of children's literature), coined by Maria Nikolajeva (2010) in an attempt to unify the increasingly power-oriented theories of children's literature criticism within the past few decades. Acknowledging the usefulness of this…
Descriptors: Childrens Literature, Power Structure, Social Behavior, Behavior Standards
Jarvis, Christine – Children's Literature in Education, 2014
Stephenie Meyer's "Twilight" Saga has achieved extraordinary popularity and scholars have interrogated the nature of its appeal from a variety of perspectives. Its popularity raises questions because in many ways it mirrors romantic fictions from the 1960s and 1970s. Such fictions have been read by critics as expressions of female…
Descriptors: Adolescent Literature, Feminism, Fiction, Novels
Joosen, Vanessa – Children's Literature in Education, 2010
Most scholars who discuss norm conflicts in translated children's books focus on the deletion of taboos. Drawing on two English translations of Flemish picture books, this article shows how norm conflicts can also lead to translation strategies other than deletion. Whereas the adaptation of Carll Cneut's "The Amazing Love Story of Mr…
Descriptors: Childrens Literature, Picture Books, Translation, Intimacy
Crisp, Thomas – Children's Literature in Education, 2009
Authors of lesbian, gay, bisexual, transgender, and queer/questioning (LGBTQ) adolescent novels have recently moved away from addressing the "problem" of sexual identity and have instead focused on personal and societal "acceptance" of non-normative sexualities. Within the increasing number of "acceptance" titles published depicting gay males,…
Descriptors: Sexual Orientation, Homosexuality, Sexual Identity, Novels
Saltmarsh, Sue – Children's Literature in Education, 2009
Christmas literature and film produced for children is an important, albeit under-researched, site for the production of cultural values and norms. This paper analyses Chris Van Allsburg's 1985 picture book "The Polar Express", the 2004 Warner Brothers feature film of the same title, the film's official website, and resources for teachers…
Descriptors: Social Class, Picture Books, Children, Nonprint Media

Russell, David L. – Children's Literature in Education, 2000
Examines the character of Pippi Longstocking, created in the 1940s by Swedish author Astrid Lindgren. Argues that Pippi is a kind of clown-magician, courageous, exuberant, and unflappable. Shows how, by living life on her own terms, Pippi's comedy both subverts the trappings of adult society and affirms the possibility of a better world. (SR)
Descriptors: Behavior Standards, Characterization, Children, Childrens Literature