"Do the Right Thing" leaves the viewer with contradictory and confused messages that suggest that the film has no clear view of racial relations in a city. The film is examined as an ideological statement. It deconstructs contemporary African-American ideologies but does not replace them with new visions. (SLD)

Early images of African Americans in films determined a pattern that survived until World War II. The role of the National Association for the Advancement of Colored People in creating new images of African Americans after the war films is profiled. Although changes seem modest, they reflect some social movements. (SLD)

Explores the contributions of social scientists to the popular image of African Americans as natural athletes and subhuman beings. A review of social science literature of the late nineteenth and early twentieth centuries finds the present image perpetuated by sportscasters firmly rooted in this literature. (SLD)

Political conditions have influenced the screen images of U.S. cinema, and the images of African Americans have reflected prevailing social stereotypes. The history of African-American representation in films is traced, and it is noted that the tendency to portray African Americans stereotypically has not changed. (SLD)