Explores arts education policies focusing on achievements, such as the inclusion of music and visual arts in schools, development of the arts education standards; and the failures, such as the inability of the arts to overcome the perception of being a frill. (CMK)

Explores three lessons that can be learned about arts education during the twentieth century: (1) the decentralization of education in the United States; (2) developing student competence in performing and creating art; and (3) the importance of quality above quantity. (CMK)

Describes the Transforming Education through the Arts Challenge (TETAC) initiative. Discusses issues to be addressed if change in arts education is to be achieved, specifically teacher preparation, professional development, networking, and standards and accountability. (CMK)

Reflects on the balancing act among the methodological, practical, and political forces in the arts that affect evaluation, focusing on evaluations of systemic reform. Discusses the meaning of systemic reform and the special requirements added when the arts are the main force behind the education changes. Offers an illustration. (CMK)

Provides background information on arts education and policy in the African context focusing on four countries: (1) Ghana; (2) Kenya; (3) Tanzania; and (4) Namibia. Introduces the articles in the symposium on "Arts Education Policy in Africa" in this issue of Art Education Policy Review. (CMK)

Presents the responses to the National Standards for Arts Education from four arts education associations. The associations represented are the National Dance Association, Music Educators National Conference, American Alliance for Theater and Education, and the National Art Education Association. Discusses applications and limitations of the…

Focuses on various topics related to arts education policy such as the creation of the national arts standards, the influence of racism on policy decisions, the importance for equal access to education at all educational levels, and the work of Howard Gardner on multiple intelligences that helped legitimize the arts. (CMK)

Describes two approaches to educational change: (1) the linear, input-output model that focuses on the output of academic achievement measured by standardized tests; and (2) the ecological model that focuses on the school as an ecosystem composed of classroom ecosystems. Discusses four reasons why the arts are necessary for the renewal of schools.…

Examines the theories of Howard Gardner and Rudolf Laban as frameworks for exploring issues of creativity and dance education. Asserts that Gardner's theory of multiple intelligences and Laban's language for movement description provide a language for discussing creativity in dance. (CFR)

Comments on remarks by A. Graham Down, president of the Council for Basic Education, about integrating arts education into the curriculum. Concludes that, when the arts are channeled into the mainstream and made part and parcel of everything, arts education becomes dangerously confused. (CFR)

Believes that the concepts of the arts have contributed to the difficulty in rationalizing the arts as a civic investment and educational issue. States that during the twentieth century the distance between the public and the arts has grown. (CMK)

Focuses on policy issues that have affected arts education in the twentieth century, such as: interest in discipline-based arts education, influence of national arts associations, and national standards and coordinated assessment. States that whether the policy decisions are viewed as achievements or disasters are for future determination. (CMK)

Discusses the current state of arts education that is characterized by lack of cultural education, the integration of arts into instruction by classroom teachers, and the bad bargains schools have made to get the arts back. Explores the option of out-of-school arts programs and opening the doors to opportunities in the arts. (CMK)

Asserts that it is important to avoid bandwagon superficialities related to the interdisciplinary approach to arts education in the K-12 curriculum. Concludes that the overarching issue related to the National Standards implementation is how to keep content and process in a productive relationship. (CFR)

Maintains that the 1990s are witnessing a renewed interest in curriculum integration. Presents, defines, and discusses nine approaches to the cognitive and affective aspects to integrating the arts in the K-12 curriculum. Recommends the coequal style and asserts that it has the potential for intellectual stimulation. (CFR)