This article examines students' choices in a postsecondary dance major curriculum where students selected to study one or more of five dance practices (African and Diaspora Movement Practices, Contemporary Ballet, Movement Language Sources, Postmodern Contemporary Dance, and Urban Movement Practices) each semester along with required coursework…

The cultivation of a community environment that attracts the creative worker requires technology, talent, and tolerance. The creative knowledge worker seeks a community not only with technological resources, often including a research university at its hub, but also the presence of arts, culture, and diversity. The Social Impact of the Arts study…

Examines the theories of Howard Gardner and Rudolf Laban as frameworks for exploring issues of creativity and dance education. Asserts that Gardner's theory of multiple intelligences and Laban's language for movement description provide a language for discussing creativity in dance. (CFR)