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Kristin A. Ponden – Art Education, 2024
According to the United Nations High Commissioner for Refugees (2013), more than 29 million people fall under the UNHCR's mandate, which includes "all persons outside their country of origin for reasons of feared persecution, conflict, generalized violence, or other circumstances that have seriously disturbed public order and who, as a…
Descriptors: Refugees, Youth, Art Education, Art Activities
Tackett, Amber – Art Education, 2021
Rather than just creating lessons that result in cookie-cutter art, art educators should create lessons that promote more authentic learning because it fosters students' engagement and helps them formulate their positionality in the world. Through teachers sharing their approach to artmaking, encouraging students to formulate their voice through…
Descriptors: COVID-19, Pandemics, Reflection, Art Education
Pierce, Mara – Art Education, 2020
Agency and empowerment in the art classroom can exist at the epitome of how a student explores and defines her-/him-/themself, and then voices that recognition. Merriam-Webster ("Agency," n.d.) defines "agency" as "a person or thing through which power is exerted or an end is achieved" (n.p.). Empowerment can be seen…
Descriptors: Personal Autonomy, Student Empowerment, Art Education, Art Teachers
Baer, Stephanie – Art Education, 2020
The National Arts Action Summit (NAAS) is an annual event organized by Americans for the Arts (AFTA) that includes advocacy training and legislative meetings. In this article the author focuses on the curricular preparation thought necessary to prepare students to engage in the events at NAAS effectively. This narrative highlights important…
Descriptors: Preservice Teachers, Advocacy, Student Experience, Art Teachers
Clumpner, Justin – Art Education, 2021
Designing an art curriculum that emphasizes authentic artmaking, empowers students, and elevates their voices--requires rethinking the way that art educators teach. Art educators must develop curriculum and instruction that embodies three key concepts: (1) inspire student thought; (2) assess students in ways that encourage artistic growth beyond…
Descriptors: Secondary School Students, Student Evaluation, Classroom Environment, Student Centered Learning
Aghasafari, Sahar; Bivins, Kelli; Muhammad, E. Anthony; Nordgren, Brendan – Art Education, 2022
Art integration has been used to explore "the relevance and approaches to arts education connected to [the larger] curriculum and instruction with learners of all ages, including teacher learners" (Cahnmann-Taylor & Sanders-Bustle, 2019, p. 2). Art integration utilizes commonalities among the many components of other disciplines.…
Descriptors: High School Students, Bilingual Students, Multilingualism, Art Activities
Christenson, Matt – Art Education, 2018
Art educators can be reluctant to study graffiti with their students, commonly citing that the practice of graffiti art is rooted in illegal vandalism. While this is true for a large amount of graffiti, today, graffiti art is also often completely legal in the form of murals, commissioned pieces, works in galleries, billboards, logo designs, and…
Descriptors: Art Expression, Artists, Popular Culture, Art
Gates, Leslie – Art Education, 2016
This article explores two teaching approaches available to art education teachers: arranging curricula based on big ideas found in postmodern artists' work and practice, and/or adopting a choice-based studio model. The author considers the role that offering students choice (and fundamentally, shared power) plays in each of these approaches. As a…
Descriptors: Teaching Methods, Studio Art, Thematic Approach, Postmodernism
Dravenstadt, Danielle Wayne – Art Education, 2018
In this article, the author describes a choice-based art unit she designed for her 7th-grade students, discussing how choice impacted student motivation and how this relates to playful exploration, meaning making, and sharing. With the implementation of a personally meaningful found-object unit, students' motivation increased because of the…
Descriptors: Studio Art, Units of Study, Student Motivation, Student Centered Learning
Brown, Susannah L.; Bousalis, Rina – Art Education, 2017
The Universal Declaration of Human Rights in 1948 by the United Nations includes Article 19, which protects the "right to freedom of opinion and expression" and the right to "impart information and ideas through any media" (UN General Assembly, 1948, art. 19), which are qualities inherent to artistic creativity as a human…
Descriptors: Refugees, Art, Student Empowerment, Art Expression
Arlington, Amanda K. – Art Education, 2018
Do social justice issues get swept under the rug due to formal curriculum demands and discomfort with topics such as racism, sexism, and homophobia? In the United States, 50.5% of students are students of color (National Center for Educational Statistics, 2017) and by the year 2026, students of color will represent 55% of all students (National…
Descriptors: Social Justice, Photography, Student Projects, Controversial Issues (Course Content)
Cruz, Bárbara C.; Smith, Noel – Art Education, 2013
Developing students' understanding and fluency of the visual arts is one of the central goals of arts education for all students, regardless of grade level (Consortium of National Arts Education Associations, 1994). Yet, as many educators and arts advocates are quick to point out, the arts have consistently been cut from educational budgets and…
Descriptors: Student Empowerment, Art Education, Art Activities, Artists
Burdick, Corrie; Causton-Theoharis, Julie – Art Education, 2012
Paraprofessionals are among the 650,000 people supervised by certified professionals who support students with disabilities as determined by a student's Individual Education Plan (IEP). While there is a growing body of literature that examines the role of paraprofessionals in the general classroom, there is little information about the role of the…
Descriptors: Paraprofessional School Personnel, Art Teachers, Middle School Teachers, Secondary School Teachers

Rettig, Perry R.; Rettig, Janet L. – Art Education, 1999
Reviews recent brain research in education. Provides five implications for teaching in art: (1) use emotion; (2) use different sense; (3) promote student self-direction; (4) enable social learning; and (5) encourage pattern finding. Describes two sample art units demonstrating how the five implications and art instruction can be integrated. (CMK)
Descriptors: Art Education, Brain, Color, Educational Strategies

Fahey, Patrick; Frickman, Linda – Art Education, 2000
Focuses on the organization Young Aspirations/Young Artists, or YA/YA, that was founded by New Orleans (Louisiana) artist Jana Napoli after inviting high school students to her studio. Provides background information on YA/YA. States that the organization works within the framework of capitalism and gives a voice to adolescents. (CMK)
Descriptors: Art Education, Artists, Capitalism, High School Students
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