Describes a lesson that shows high school students a work of art derived from literature, acquainting them with methods an artist can use to present a story in visual form. Students discuss how Anthony van Dyck controlled and manipulated light, color, gesture, and composition in his painting to depict a moment from literature. (LS)

Offers a lesson plan for acquainting students in grades 10-12 with the dimensions of style and technique of still life painting in the United States during the late nineteenth century. Uses William Michael Harnett's "Plucked Clean" to convey concepts of composition. Suggests instructional strategies and outlines a studio activity. (KO)

Uses Marsden Hartley's "Indian Fantasy" to explore with students in grades 7-9 the variety of expressive qualities of an early twentieth-century U.S. artist working abroad. Presents lesson objectives, instructional strategies, evaluation criteria, and background information about the artist and painting. (GEA)

Offers an overview of the meaning and development of traditional Flemish and French still life painting. States that art history, as well as technical process, must be taught for discipline based art education to be effective. Describes Flemish still life classifications, eighteenth and nineteenth century French works, and still life symbolism.…

Presents a lesson plan which uses "Water," by Iri and Toshi Maruki, to provide students in grades 4-6 with an approach to artwork which deals with devastating current events. Students explore artistic collaboration, Japanese beliefs, contemporary conflicts, and contradictory meanings in images. Includes background information,…

Presents a lesson plan based on John Singleton Copley's 1795 oil painting, "Portrait of Nathaniel Hurd." The goal of the lesson is to give students in grades four through six an awareness of portraiture and how portraits record not only character but historical times and customs. (JDH)

"At the Piano," an oil-on-canvas painting completed in 1859 by James Abbot McNeill Whistler, is used as the basis of a lesson designed to help junior high school students analyze the painting's mood, subject matter, and composition. (JDH)

Intermediate grade students were asked to do a creative writing project based on Kier's painting "The Picnic." The approach they used to view the painting was one influenced by the aesthetic philosophy of Mikel Dufrenne. (RM)

Summarizes the lives and pursuits of four U.S. artists: Winslow Homer, John Frederick Peto, George Bellows, and Joan Mitchell. Explains the concepts apparent in the four works of art and shows how the artists created these works through expressing their perceptions of the world around them. Lists questions for further exploration. (CMK)

This instructional resource is the third in a series that explores the narrative role of art in public places. In two recent issues of "Art Education," Susan Goetz Zwirn ("Men and Women at Work: The Portrayal of American Workers by Three Artists of the 1930s and 1940s" 57(2), pp. 25-32) and Carol Argiro ("Teaching with Public Art" 57(4), pp.…

Uses Durand's "An Old Man's Reminiscences" to introduce students in grades 4-6 to the effective use of nostalgia and memories in artwork. Presents lesson objectives, instructional strategies, evaluation criteria, and background information about the artist and the painting. (GEA)

Uses Goya's "The Sleep of Reason Produces Monsters" to acquaint students in grades 10-12 with the artist's highly personal imagery and innovative printmaking techniques. Includes lesson objectives, instructional strategies, follow-up procedures, and background information about the artist and the painting. (GEA)

Using William M. Harnett's 1884 oil painting "After the Hunt," this lesson introduces students in grades seven through nine to the style of realism popular in the late nineteenth century. The lesson is also designed to show how art reflects the values of the society in which it was created. (JDH)

Compares works selected from the permanent collection of the Agnes Etherington Art Centre, an art museum at Queen's University in Ontario, Canada. Provides two sets of painting reproductions, information about the artists, transcripts of the telephone-accessed comments for viewers of each set, additional background information, and suggestions for…

An individual's concept of disability depends upon one's experience, based on personal, physical, mental, and emotional knowledge (Linton, 1998; Wendell, 1996). The United Nations (United Nations, 2005) defines disability as any restriction or deficiency of ability to perform within the range of what is considered normal for an individual. A…