Most would agree that today's art education is far more complex than art activities such as making pumpkin paintings in October. For one, art education continually evolves in response to arts technology integration. What exactly are the implications for art education in the new millennium? In this article, the author presents and shows some of the…

By its very nature, art offers a rich bounty of cultural exchange. Cultural influences guide expression in art, and art records and influences culture. Helping students view the world beyond their own cultural perspectives has potential to enrich them as human beings. In this article, the author summarizes some earlier foundational theories that…

There is plenty of literature, including exhibition catalogues, journal articles, and books written for those interested in learning and teaching about African art. Information on individual artists from the countries of Africa is also increasing. These sources attempt to highlight the artists' lives, education, working conditions and what they…

In this article, the author discusses the importance of Viktor Lowenfeld's influence on her research, describes visual anthropology, gives examples of her research, and examines the implications of this type of research for teachers. The author regards Lowenfeld's (1952/1939) early work with children in Austria as a form of participant observation…

Presents an interview with Black artist Jacob Lawrence. He comments on the role of the artist and art in society, the value of the creative experience, and the influence of Harlem and Africa on his work. (AM)

Media programs like hip-hop music videos are powerful aesthetic agents that inspire teenagers. Thus, they have tremendous influence on young people's identity formation, lifestyle choices, and knowledge construction which are manifested in the ways teens dress, express themselves, behave, and interact with each other. However, because of the…

Attempts to define culture, its place in the educational system, and the relationship between ethnic groups and the dominant culture. Suggests that the crux of the curriculum must be a circular method of thought and teaching, one through which education becomes an agent for the internalization of culture instead of just the external explanation of…

The danger that this writer sees with some developments in "aesthetic education" is an apparent limitation of attention to the philosophical and psychological dimensions of the art product. (Author)

Considered the motivating force behind art works and how students can be stimulated to create. (RK)

The role of festivals in the expression of a culture is discussed. In the western world festivals have been acknowledged and documented since early times. It is only recently, however, that artistic elements of this universal behavior pattern have been emphasized. Some festivals designed to educate young people are described. (RM)

Finding "aesthetic experience" to be a difficult and paradoxical concept, the author argues that a social as well as an historical perspective may be a more beneficial route for the future of art programs in our schools. (Author/SJL)

Presents a lesson that asks students to compare a culture's traditional and innovative artwork in order to encourage an appreciation of artistic heritage. Gives the historical and cultural contexts of two artworks from Greenland and two from Alaska, along with a collection of activities, as the means for investigation. (CMK)

Students can be inspired as they examine the art and life of Clyde Connell (1901-1998). Connell was a woman who lived almost her whole life within a 50-mile radius of Shreveport, Louisiana, but traveled to New York City regularly for years. Connell was nearly 60 years old before she focused full attention on making art, and her most creative years…

The development of art is an aspect of our American heritage that deserves recognition as an important area of education. The importance of art heritage curriculum and the aesthetic education it offers students is outlined. (Author/RK)

In considering the relation of art with society the author comments on the ideas of the American philosopher, John Dewey, the art historian, Lord Kenneth Clark, a popular humanistic educator, Clifton Fadiman, and a major cultural critic, Jacques Barzun. (Author/RK)