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Lampert, Nancy – Art Education, 2013
Critical thinking is thought-focused on how to solve a well-defined problem when several alternatives solutions to the problem exist. Because critical thinking may help to build tolerance toward others, the author believes it is a worthwhile subject to investigate, given that people are living in an increasingly multicultural society full of…
Descriptors: Inquiry, Critical Thinking, Art Education, Elementary School Curriculum
Stienecker, Dawn – Art Education, 2010
The automobile itself is often understood as an extension of oneself, where individuals may manipulate the interior and exterior of cars and trucks, decorating them through detailing, stickers, custom colors, and so on. Others go further and change their cars into unique works of art called art cars. Such cars break away from the banality of mass…
Descriptors: Motor Vehicles, Art Products, Artists, Art Education
Kanatani, Kim; Vatsky, Sharon – Art Education, 2010
In 1888, when George Eastman introduced the "Kodak" camera, with the slogan, "you push the button, we do the rest," he ushered in a new era in documenting family history. Photography left the professional studio and entered the home, where the camera became the primary instrument of self-knowledge and self-representation. The camera allowed the…
Descriptors: Photography, Visual Aids, Artists, Family (Sociological Unit)
La Porte, Angela M. – Art Education, 2010
This article discusses Fundreds in Arkansas, an interactive cooperative in Arkansas to promote and support Mel Chin's nationwide interdisciplinary artwork, Operation Paydirt (The Fundred Dollar Bill Project). The artwork involves communities and educational institutions across the country, healthcare professionals, engineers, urban planners, and…
Descriptors: Interdisciplinary Approach, Art Products, Art Activities, Art Education
Hsieh, Kevin – Art Education, 2012
When students feel comfortable in the learning environment and are being given authority to make their own choices about what they want to create, they can create significant artworks with different personal expressions through the form of narratives. Students feel this freedom especially when they are not in the regular school environment where…
Descriptors: Educational Environment, Teaching Methods, Art Education, Personal Narratives
Inwood, Hilary – Art Education, 2010
As a university-based art educator inspired by the efforts of environmental artists, the author has been working to share their achievements with students and teachers through eco-art education. She aims to continue this work through this article by sharing recent developments in this emerging field of inquiry. In hopes of encouraging art…
Descriptors: Visual Arts, Environmental Education, Art Education, Art Activities
Marshall, Julia – Art Education, 2010
Many art educators believe that creativity is fundamental to artistic practice and, therefore, the art classroom is one of the best places for its cultivation. Indeed, there is a renewed and growing interest in creativity in art education today. Learning that takes place in art practice also is receiving significant attention. The concurrent…
Descriptors: Creativity, Learning, Inquiry, Studio Art
Gude, Olivia – Art Education, 2010
Although virtually all contemporary art teachers list "enhancing creativity" as a key desired outcome of their programs, analysis of lesson plans used in schools suggests that in practice very little curriculum is specifically geared to developing creative abilities. In this paper, the author describes how she developed the curriculum…
Descriptors: Creativity, Art Education, Art Teachers, Play
Meban, Margaret – Art Education, 2009
In this article, the author highlights theoretical positions from the field of contemporary art that articulate the dialogical and relational aesthetic of contemporary socially-engaged art practices. To illustrate and examine the dimensions of such a social aesthetic in practice, the author shares the practice of Canadian artist, Julie Fiala,…
Descriptors: Art Education, Aesthetics, Artists, Role
Cornelius, Angela; Sherow, Ernie; Carpenter, B. Stephen, II – Art Education, 2010
This Instructional Resource is based on the authors' current efforts as part of an interdisciplinary project where artists, community members, engineers, social activists, and educators are working together to make positive change in people's lives. Water, as a subject, symbol, and life-sustaining substance, is the focus of their work and the…
Descriptors: Art Education, Interdisciplinary Approach, Ecology, Learning Experience
Bryant, Courtney – Art Education, 2010
This article describes the author's innovative approach to facilitating students' imaginations and critical thinking through a computer animation project. The author conducted a qualitative case study in a computer animation unit and explored urban high school students' use of creative problem-solving strategies, defined as techniques that offer…
Descriptors: Creativity, Problem Solving, Studio Art, Animation
Martinez, Ulyssa – Art Education, 2012
Does the person become the name or does the name become the person? This question was asked by a participant of my culture jam entitled, "What's my name?" In this culture jam, I asked people to discern the name of a person based solely on their appearance and a list of possible names below their picture. This article aims to show how culture jams…
Descriptors: Art Education, Misconceptions, Culturally Relevant Education, Naming
Briggs, Judith – Art Education, 2009
Films are multimodal, often memorable, and change one's way of thinking. Films provide narratives and visual metaphors that function as tools for one's imagination and learning. No other film has amplified this phenomenon in the United States more than the "Star Wars" Cycle. "Star Wars" exemplifies the multidimensionality of…
Descriptors: Films, Art Education, Film Study, Grade 7
Ward, Amber E. – Art Education, 2010
The author has been deeply committed to shaping an art curriculum that offers students a more meaningful and authentic experience. In addition, she has been interested in the notion of students as victims of their popular culture. She questioned the ways in which cultural sources might impact their aesthetic choices with regard to personal…
Descriptors: Sculpture, Portraiture, Popular Culture, Aesthetics
Pepin-Wakefield, Yvonne – Art Education, 2010
In this article, the author shares her experiences and challenges in teaching university-level studio art classes for Muslim women in Kuwait. In Kuwait, popular interpretations of the "Quran" (the Koran), the Muslim holy book, prohibit the use of nude models. The author describes how she had to find alternatives to Western tried and true…
Descriptors: Muslims, Fine Arts, Females, Studio Art