In this article, a teacher-curator pedagogy is taken to mean an assumption of the role of both educators and curators in the planning, creation, and implementation of teaching units and lesson activities within the context of an online exhibition. For their part, students are engaged in developing the exhibitions and self-directed learning…

This article describes findings from two surveys to determine how the modes of learning, processes of making, and aesthetic products made by youth in extracurricular contexts compared or contrasted with learning and making in school-based art education programs. Survey respondents included over 400 adolescents and young adults (ages 14-21) who…

The inquiry-based approach in museum education often takes the form of an educator asking open-ended questions to facilitate discussions around artworks, while encouraging students in careful observation and interpretive processes. However, although art museums are emphasizing learners' experiences and their interpretative processes, adult…

This article questions the significance of art teacher as moral support for reconsidering the often taken-for-granted roles of students and teachers in art education settings. This theme arose in a qualitative case study conducted in a community-based Saturday Art School program at a Midwestern university campus. In this article, the author shares…

This article explores the concept of being an intrapreneur and a hybrid professional. An intrapreneur is a person who fills a need and starts programs, products, or services inside of a company or nonprofit as opposed to starting from nothing, which is what entrepreneurs do. A hybrid professional is someone who integrates multiple professional…

Teachers often find themselves grouped into categories by administrators. Common labels for teacher groupings include grade level and subject matter, for example, 3rd-grade teacher or math teacher. Those teachers who serve multiple grade levels are usually also the only representatives for their subject within the school or the district. They…

Art teachers often complain about being overlooked and misunderstood as their schools focus on student achievement in literacy, science, technology, engineering, mathematics, and other educational goals. This article will argue that the art teachers' position in between competing disciplines is a place to recognize the power of their educational…

Both curators and educators craft ways for others to enter into relationships with objects and ideas, finding personal meaning therein. As university art educators of a teacher training program, the authors invited their preservice art educators to enter into curatorial acts that call on them to unpack their own teacher identities and…

The challenge and privilege of advocacy for the arts in education should not be left only to those who have moved beyond the early years of idealism and hope. The voices of the next generation of art educators hold a unique place in the discourse of art education. They offer challenge, faith, frustration, passion, and new vision for the future.…

When do we know that we are part of a swarm? What might a swarm look and feel like in an art classroom? These were a couple of the questions that began two art educators' inquiry into ways swarm intelligence operates in a learning environment that might "reinforce and strengthen your most creative thinking with a positive feedback loop"…

The Baltimore Uprising was in response to the death of Freddie Gray, who was fatally injured in April 2015 while in police custody in Baltimore City. The Uprising unfolded as a series of protests, community meetings, and actions throughout the city. This was a catalyst for art education faculty and preservice teachers to enter conversations about…

Adolescents are at a ripe age to make meaning and think abstractly (Kerlavage, 1998); yet, they are not "born knowing how to get ideas into materials, or how materials can be manipulated to shape ideas and meaning" (Burton, 2012, p. 14). Adolescents need guidance in understanding abstract concepts, and art teachers play an important role…

In an era that is rife with aggression and hostility, most art educators hold close to their hearts the belief that they, and their students, can contribute to making the world a better place. Through their acts as teachers and the daily work of art education, they often strive toward creating a space of "non-violence." For K-12…

The metaphor of "art waitressing" is a valuable tool for educators who seek guidance in enacting many of the new roles in museums, particularly the role of facilitator in an open-ended interactive gallery. Though this metaphor provides a valuable model for engaging visitors, the question quickly arises of how educators can go beyond "serving" an…

This article describes how art teachers can work toward changing the power dynamics in their classrooms by using a student centered approach, as demonstrated by an example lesson about contemporary painter Kehinde Wiley. As the class unpacked the idea of power prevalent in Wiley's portraits, the students gave relevant examples of how power…