This article questions the significance of art teacher as moral support for reconsidering the often taken-for-granted roles of students and teachers in art education settings. This theme arose in a qualitative case study conducted in a community-based Saturday Art School program at a Midwestern university campus. In this article, the author shares…

This article describes how art teachers can work toward changing the power dynamics in their classrooms by using a student centered approach, as demonstrated by an example lesson about contemporary painter Kehinde Wiley. As the class unpacked the idea of power prevalent in Wiley's portraits, the students gave relevant examples of how power…

A time-honored and pervasive tradition has taken root in art classrooms. It goes like this: The art teacher plans experiences, often called "visual problems" (Vieth, 1999, p. 4), for pupils to execute. Students are then encouraged to "solve" these problems in their own way, but the end result, more often than not, is…

The structure and functioning mechanics of a student-driven art course, "Arts and Ideas" [described in the September 2001 issue of "Art Education" in "Art and Ideas: Reaching Nontraditional Art Students" (Andrews, 2001)] were designed to create a classroom environment that would promote greater student input into learning and the choice of art…