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Nagawa, Margaret – Art Education, 2012
When one walks into an art gallery in Kampala, the capital city of Uganda, one sees a predominantly non-Ugandan audience. Visitors to homes of Ugandans, even those wealthy enough to afford art, find typically bare walls. This begs broader questions: (1) What is it about the education and presentation of contemporary art that excludes local…
Descriptors: Art Education, Audiences, Artists, Arts Centers
Chung, Sheng Kuan – Art Education, 2009
With increasing emphasis on multicultural art education and integrative pedagogy, educators have incorporated community resources, such as cultural artifacts exhibited in art museums, to enrich their programs. Cultural artifacts are human-made objects which generally reveal historic information about cultural values, beliefs, and traditions.…
Descriptors: Curriculum Development, Graduate Students, Art Education, Art Appreciation
Nurturing Aesthetic Awareness in Young Children: Developmentally Appropriate Art Viewing Experiences
Danko-McGhee, Katherina – Art Education, 2006
Teaching young children ways to appreciate art is not the daunting task that it appears to be. At a very young age, children are quite capable of having an aesthetic experience on their own terms, whether it be the delight of mixing different textured foods on the high chair table top or becoming visually engaged with a mobile that is suspended…
Descriptors: Art Appreciation, Art Education, Young Children, Early Childhood Education