The inquiry-based approach in museum education often takes the form of an educator asking open-ended questions to facilitate discussions around artworks, while encouraging students in careful observation and interpretive processes. However, although art museums are emphasizing learners' experiences and their interpretative processes, adult…

In the vast repository of research on family involvement in schools, researchers agree that both students and schools do better when families are involved (Epstein et al., 2009; Lareau, 2011; Mapp, 2002). There is little research, however, on parent involvement in the arts. Notwithstanding the lack of published data, programs offer funding and…

The Solomon R. Guggenheim Museum launched a project, the Guggenheim UBS MAP Global Art Initiative, with the goal of broadening the geographic representation of the Guggenheim's holdings and to create a truly global collection. Inspired by this project, this article discusses three contemporary artists: (1) Navin Rawanchaikul, from Thailand; (2)…

For art educators, teaching textual literacy can be a challenge. In a review of literature, Hall (2005) found that content area teachers (as opposed to teachers of Reading and English) did not feel qualified to teach reading and believed that students did not need reading instruction to be successful with texts from their specific disciplines.…

Advocacy is not new to art education. Over the years, Goldfarb (1979), Hodsoll (1985), and Erickson and Young (1996) have written about the importance of arts advocacy, but the concept of advocacy has evolved with the times. For example, in the 1970s, arts advocacy was described as a "movement" and brought together art educators,…

Trimis and Savva detail the in-depth studio approach, which enables students to explore materials and techniques in-depth and to progress in developmental stages, as part of a larger study of museum education in Cyprus. Their aim was to introduce preservice teachers to ways of implementing programs that link museum education with art activities in…

To prepare them for visits to a museum, preschoolers' aesthetic awareness was developed through visual, tactile, kinesthetic, and olfactory experiences in a studio setting. Anecdotal examples of student involvement in the museum, recorded from observations, photographs, students' casual comments, and parental interviews, are presented. (IS)

Nonschool art programs have not been given serious attention and have suffered from inadequate funding, amorphous purposes, and haphazard staffing. The needs of millions of people outside school art programs should not be neglected. The educational offerings of some art museums are cited as examples of innovative programing. (CS)

Contends lack of appropriate instructional materials and demands of studio art production may keep some teachers from incorporating art history and art appreciation into secondary art education courses. Presents two lesson plans focusing on art from European Renaissance period. Concludes that the integration of art history, criticism, and…

Reports on a teacher-education course that emphasized the use of the visual arts in promoting content area reading. Local art museum personnel and teacher-education faculty identified works that could invoke discussions in certain content areas of specialization. Students used these as a basis for their papers. (MJP)