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Chung, Sheng Kuan; Li, Dan – Art Education, 2017
In contemporary art, many artists have incorporated playful and functional elements into their artistic expression beyond the conventional perception of art merely as an appreciated object. In this article, the authors touch on the movement of art in daily living and explore the playful, functional, and interactive nature of art by Tin Yan Wong, a…
Descriptors: Art Education, Art Activities, Artists, Art Expression
Gude, Olivia – Art Education, 2013
Art projects are appropriate building blocks for visual art curriculum because good art projects encode complex aesthetic strategies, giving students tools to investigate and make meaning. Art made in schools will inevitably be some form of "school art," defined by Arthur Efland in "The School Art Style: a Functional Analysis,"…
Descriptors: Art Education, Visual Arts, Art Activities, Aesthetics
Lorimer, Maureen Reilly – Art Education, 2016
To mitigate educational challenges, K-8 students enrolled in the Migrant Education Program (MEP) at Fuerte School District spend the majority of their after-school class time in a Saturday Academy program completing required curricular tasks associated with structured research-based programs to strengthen reading, writing, mathematics, and science…
Descriptors: Faculty Development, Migrant Education, Educational Quality, Art Education
Pitri, Eliza – Art Education, 2013
In this article, Eliza Pitri states, "when allowed to make and explain their own choices, students develop invaluable creative problem-solving skills." Opportunities for such critical thinking abound in the art classroom. The importance of identifying how skills and dispositions related to creative problem solving are expressed in a…
Descriptors: Art Education, Problem Solving, Creativity, Critical Thinking
Tillander, Michelle – Art Education, 2011
Creativity serves an important role in culture, education, and the workforce as it "provides the impetus for any act, idea, or product that changes an existing domain or discipline into a new entity." In the 21st century, information technology is forming a powerful alliance with creative practices in the arts and design to establish new domains…
Descriptors: Web Sites, Creativity, Electronic Publishing, Educational Practices
Meban, Margaret – Art Education, 2009
In this article, the author highlights theoretical positions from the field of contemporary art that articulate the dialogical and relational aesthetic of contemporary socially-engaged art practices. To illustrate and examine the dimensions of such a social aesthetic in practice, the author shares the practice of Canadian artist, Julie Fiala,…
Descriptors: Art Education, Aesthetics, Artists, Role
Ward, Amber E. – Art Education, 2010
The author has been deeply committed to shaping an art curriculum that offers students a more meaningful and authentic experience. In addition, she has been interested in the notion of students as victims of their popular culture. She questioned the ways in which cultural sources might impact their aesthetic choices with regard to personal…
Descriptors: Sculpture, Portraiture, Popular Culture, Aesthetics
Lampert, Nancy – Art Education, 2006
Inquiry-based classroom activities require students to solve problems and answer questions that have more than one possible resolution. These types of activities stimulate critical thinking skills and dispositions in students. PreK-12 art classrooms are rich with opportunity for inquiry-based activities for children and adolescents. This article…
Descriptors: Learning Activities, Class Activities, Thinking Skills, Critical Thinking

Johnson, Mia – Art Education, 1996
Examines the nature and future of computer graphics as an art form. Characterizes four basic beliefs about art and considers their relevance to computer graphics. Discusses the special qualities of computer graphics and how they can enrich art instruction. (MJP)
Descriptors: Aesthetic Values, Aesthetics, Art Activities, Art Education

Mercedes, Dawn – Art Education, 1996
Summarizes negative aspects of computer technology and problems inherent in the field of digital imaging. Considers the postmodernist response that borrowing and alteration are essential characteristics of the technology. Discusses the implications of this for education and research. (MJP)
Descriptors: Aesthetic Values, Aesthetics, Art Activities, Art Education