One afternoon during the early days of the COVID-19 lockdown, as I was retooling my in-person courses for online instruction, I took a break to see how the educators and artists I follow on Instagram were faring. As I scrolled through a variety of posts, I happened upon an image showing a page torn from the 1940 children's book "Lentil"…

Open-ended guided tours and choices on tours have become more common in art museums as educational and curatorial practices focus on visitor-centered experiences. What can museums do to help set the stage for these types of interactions between visitors, the museum, and works of art through programming and tours? In this article, the author…

In March 2013, Art Education editor Robert Sweeny (2013) published an editorial titled "Ten Ways of MAKING" focused on capturing the mounting zeitgeist of the concept of making. The maker movement encourages informal teaching and learning of practical technical skills related to electronics, metal- and woodworking, and traditional arts…

In this article, Jason Wright begins by describing the "checklist traveler"--a traveler that has a checklist for every city they travel to and once done, they move on. This type of traveler would see the sites they were "supposed to see" and were on a tight schedule. The famous relics, monuments, statues, cathedrals, sweeping…

What are the boundaries of art education? And what can we stand to subtract from it, while still allowing it to remain recognizable? These questions guided the authors', who are an assistant professor and a doctoral candidate in the field of art education-- developed a community art program in Tallahassee, Florida. The program, Artcation, took…

The purpose of this article is to use the author's cross-cultural teaching experiences to help practitioners understand and explore Chinese calligraphy as a creative art expression for children. Here, the author shares multiple ideas for projects featuring the Chinese culture. The author also identifies four constructive teaching principles from…

The arts encourage us to wake up, often by shocking us into a novel consciousness (Ayers, Greene, & Alexander-Tanner, 2012). Further, from the perspective of the artist, the basic human right to creative activity provides a vehicle for "talking back" (hooks, 1990, p. 337) in response to threats to social justice. Such is the case in…

Oliver Herring, the creator of TASK, defines it as: "[a]n improvisational event with a simple structure and very few rules... TASK's open-ended, participatory structure creates almost unlimited opportunities for a group of people to interact with one another and their environment. TASK's flow and momentum depend on the tasks written and…