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Huard, Marie – Art Education, 2023
In this article, the author shares research into five images by artists whose work responded to and helped shape the Black Power movement: Emory Douglas's "Don't Support the Greedy," Betye Saar's "The Liberation of Aunt Jemima," Barbara Jones-Hogu's "Relate to Your Heritage," Elizabeth Catlett's "Malcolm X Speaks…
Descriptors: Art Education, African Americans, Racial Identification, Activism
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Wolffe, Susan Witmer – Art Education, 2017
This instructional article demonstrates the parallels between the way art is used as forms of celebration and protest in several different cultures. The author provides thought-provoking questions to pose to students, encouraging them to research unfamiliar cultures and draw connections between multi-cultural art and the art the students create.
Descriptors: Foreign Countries, Art, Activism, African Culture
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Hunter-Doniger, Tracey; Radakovic, Nenad; O'Byrne, William Ian; Adams, Britnee; Gourdie, Emma; Heckman, Christian; Smith, Dillan – Art Education, 2022
The authors decided to create a transdisciplinary science, technology, engineering, art, and mathematics (STEAM) lesson for children focused on Charleston, South Carolina iron-gate artisan Philip Simmons and his work. The lesson taught about the art of Philip Simmons, as well as symbolism, mathematics, the process of 3D printing, and some history…
Descriptors: African American Culture, Art Education, Interdisciplinary Approach, Culturally Relevant Education
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Boyd Acuff, Joni – Art Education, 2020
In 1994, cultural critic Mark Dery coined the term "Afrofuturism" to refer to "speculative fiction that treats African-American themes and addresses African-American concerns in the context of twentieth-century technoculture--and, more generally, African-American signification that appropriates images of technology and a…
Descriptors: African American Culture, African Americans, African American Community, Cultural Maintenance
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Hunter-Doniger, Tracey – Art Education, 2018
This article describes a STEAM lesson focusing on Johnathon Green's landscapes and the science of the ecosystems in the coastal region of the southeastern United States. The learning that took place manifested into something more meaningful than just the intended lesson. The collateral learning included the fact that artists can be African…
Descriptors: Art, Artists, Social Justice, Geographic Regions
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Kee, Jessica Baker; Bailey, Cayla; Horton, Shabreia; Kelly, Katrice; McClue, James; Thomas, Lionell – Art Education, 2016
This article describes a project designed to explore how art educators can use "assemblage" to facilitate collaborative learning in their classrooms. It also explores how "assemblage thinking" facilitates collaboration by moving beyond static approaches to artmaking and encouraging students to draw on their own identities to…
Descriptors: Art Activities, Art Education, Cooperative Learning, Creativity