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Demirci, Sirin Akbulut – Universal Journal of Educational Research, 2018
The first Turkish musicians who chose composing as a profession were called "The Turkish Five". These composers, listed by their date of birth, were: Cemal Resit Rey, Hasan Ferit Alnar, Ulvi Cemal Erkin, Ahmet Adnan Saygun and Necil Kazim Akses. These composers squeezed the 500 year music culture of Western music into 30-40 years and…
Descriptors: Musicians, Musical Composition, Music Education, Foreign Countries
Zimmerman, Aaron Samuel – AERA Online Paper Repository, 2017
The objective of this presentation is to share an artistic representation that was composed to illuminate what it might be like for beginning teachers to live through the experience of shattered hopes. This presentation was composed based on the results of a research study in which beginning teachers were asked to narrate meaningful and memorable…
Descriptors: Beginning Teachers, Art Expression, Musical Composition, Secondary School Teachers
Rohwer, Debbie; Herring, Michelle; Moore, Jordan – Texas Music Education Research, 2014
Score study combines the task of what music educators do to prepare for class everyday with many of the components that are taught in collegiate theory classes. While non-research articles have cited the practical application of score study techniques, there is a need for research on score study to describe the ways choral educators pragmatically…
Descriptors: Music Education, Music Teachers, Singing, Music Theory
Rosas, Fátima Weber; Rocha Machado, Leticia; Behar, Patricia Alejandra – International Association for Development of the Information Society, 2016
This article proposes a pedagogical architecture (PA) focused on the development of competencies for music technology in education. This PA used free Web 3.0 technologies, mainly those related to production and musical composition. The pedagogical architecture is geared for teachers and those pursing a teaching degree, working in distance…
Descriptors: Music, Distance Education, Foreign Countries, Virtual Classrooms
Cushing, P. J. – Pathways: The Ontario Journal of Outdoor Education, 1999
Ian Tamblyn's workshop on song writing emphasized that song writing takes time and work and that one should enjoy the process, whether or not anyone else will ever hear the song. Guidelines cover choosing a song topic, developing a story within the song, conveying a distinct perspective, and using song writing in outdoor and experiential…
Descriptors: Creative Expression, Music Education, Musical Composition, Outdoor Education
Patnoe, Shelley – 1985
A study was conducted to determine whether a stable set of core characteristics found to be associated with creativity in samples of creative adults would also distinguish a group of professional jazz musicians selected for excellence of improvisational ability. A second purpose of the study was to see whether such differences found between groups…
Descriptors: Creative Art, Creativity Research, Creativity Tests, Jazz
Marquis, Alice Goldfarb – 1997
This paper recounts the history of jazz music in the United States and its passage from despised, marginal entertainment to the solid respect conferred by academe. The author asserts that such respect has little to do with music and a great deal to do with class, race, jobs, and money. The first extracurricular college jazz band at North Texas…
Descriptors: Higher Education, Jazz, Music, Music Activities
Nerheim, Rosalee – 1979
The Music Information System for Theorists (MIST) allows musicians to find pedagogical music excerpts with ease and speed. Users may search for excerpts using as keys composer, date, and/or musical concept exhibited. The desired excerpts are printed in conventional music notation or output in MUSTRAN code via the Indiana University Computer Music…
Descriptors: Computer Programs, Higher Education, Information Retrieval, Information Systems
Bozung, Richard – 1996
This paper addresses the simplification of music as a way to introduce all beginners to making music. Creative play is emphasized to encourage students to feel ownership of the music they create. Suggestions are given for improvisation to known songs with small guitars, ukuleles and dulcimers. The paper advocates a return to the roots of music…
Descriptors: Creative Activities, Creative Expression, Early Childhood Education, Improvisation
Upitis, Rena – 1987
Learning to read and write music should be as natural as learning to read and write the English language. Similar instructional models can be used for both. This was the premise for the investigation of 5-year-old Joel's musical development. Joel was the youngest of a four-member musical family. He was surrounded by musical literature and role…
Descriptors: Early Childhood Education, Elementary Education, Music Education, Music Reading
Aiex, Nola Kortner – 1985
New York City as a subject has fascinated generations of artists, writers, and musicians. However, the glamorous image of the city has changed over the years, and in the 1960s, popular music, in particular, began to reflect a utopia/dystopia dichotomy in relation to New York. During the past twenty years, six popular singer-songwriters who have…
Descriptors: Audiodisks, Music Appreciation, Musical Composition, Popular Culture
Chalpin, Lila – 1974
The keeping of a dream log can spark the imagination in freshman composition courses, giving students opportunities to be both creative artists and critics. With the emphasis more on using dreams than on interpreting them, students are free to explore the symbols and relevance of their dreams when creating written or musical compositions, films,…
Descriptors: Art, College Freshmen, Creative Art, Fiction
Francesconi, Robert – 1979
Although the success of black jazz has been limited by its lack of recognition in the white-controlled music industry, its rhetorical development as an expression of black consciousness can be traced from the bebop of the 1940s and early 1950s, through the hard bop and free jazz of the 1960s, to the jazz orientation of the disco circuit in the…
Descriptors: American Culture, Black Achievement, Black Culture, Black Studies
Biocca, Frank – 1985
From the close of the nineteenth century and into the early part of the twentieth century, three aural technologies--the telephone, the phonograph, and the radio--were rapidly disseminated throughout the United States. These technologies brought to the population more aural information than it had ever experienced and created a new environment of…
Descriptors: Audiodisks, Auditory Perception, Communication Research, Intellectual History
Gooch, Sherwin – 1978
The original PLATO music concept was to replace the human performer in the feedback process, wherein the composer specifies an action and monitors the outcome, with a computer-controlled device. The first device of this type is known as the Gooch Synthetic Woodwind (GSW), which attempted to provide some of the features needed in an interactive,…
Descriptors: Computer Assisted Instruction, Computer Programs, Instructional Design, Instructional Development