The COVID-19 pandemic that started on the Spring of 2020 posed a considerable challenge for college students and educators. The lockdown that took place after Spring Recess of that year demanded urgent adjustments in instruction as well as instructional methods. The sudden shift, from in-person to online teaching, required the immediate use of…

With the outbreak of the COVID-19 pandemic, higher education's learning environment is shifting toward online education. There are no exceptions when it comes to teaching and studying dance art in institutions. The purpose of this study is to gain a better understanding of the effectiveness of an e-learning system for learning and pedagogical…

Mobile learning (m-learning) challenges the traditional definition of teaching and learning. M-learning concept is gaining popularity because it enables learning across multiple contexts and disciplines by using portable mobile devices. In recent years, it has attracted increasing attention at the tertiary level as some institutions adopt Bring…

For many years, pedagogical scholars and physical education (PE) teachers have worked to enhance effective teaching and learning environments. Yet for some children, youth, and young adults, many of the benefits associated with a physically active lifestyle remain elusive. Enhancing programming and performance to meet physical activity goals may…

The combination of the process of pedagogical planning within the Blended (b-) learning environment with the users' quality of interaction ("QoI") with the Learning Management System (LMS) is explored here. The required "QoI" (both for professors and students) is estimated by adopting a fuzzy logic-based modeling approach,…

The American Square Dance became the official National Folk Dance of America by an act of Congress in 1982. Although the square dance contains some elements similar to the New England Quadrille, the Kentucky Running Set is thought to be the true foundation for its movements and configurations. The Running Set has been traced back to the source of…

Highlights of the historical development of structured and creative/free dance experiences for children within the curriculum of early childhood education in the 20th century are sketched. Although some educators dissented with the practice, in the 1920s most dance activities for young children were structured. The following decade was…

The purpose of this paper is to explore the application of Rudolf Laban's theories of movement to the teaching of choreography and improvisation. The paper presents learning activities appropriate for early encounters in the development of artistic process skills. It is predicated on the theory that the choreographic process is a heuristic process…

This paper by the National Dance Association's 2002 Scholar/Artist presents his perspective on traditional modes of performance, choreography, and preservation, touching on emerging technological trends through movement inscription. It focuses on: his introduction to formal training; his classical ballet mentor, Bill Christensen; his lack of…

Many believe that dance is a democratizing force in academia. Modern dance history is replete with feminist, homosexual, and racial liberation ideologies transcribed through body language. Experiences in planning cross-discipline courses suggest that, without dance, important aesthetic and sociopolitical ideas most fully revealed in nonverbal and…

Dance, nurtured in physical education departments, has elected to move away from physical education and affiliate with other disciplines in academia. The strongest argument for dance to remain in physical education is that removing physical dance from physical education department is tantamount to removing dance from removing dance from physical…

This paper describes an improvisational dance model that analyzes verbs and adverbs in terms of their movement essence and yields a unique group dance using dancers of any age or experience. Essence dance uses word cards to build a dance. Each word (verb or adverb) suggests a movement or use of the body. The teacher begins by charting a piece of…

This paper provides the outline of a session in dance at the annual meeting of the American Alliance for Health, Physical Education, Recreation, and Dance. The purpose of the session was to provide an opportunity to celebrate individual differences while learning new skills for lifelong leisure activity through an English dance form known as…

This paper reports on the critical role that marketing can have on the health, physical education, recreation, and dance professions (HPERD) and on a national survey of college administrators in the field and their attitudes and practices at the college level. The first half of the paper briefly traces the growing impact of marketing on service…

Creative dance improvisation involves both the movement of the body with awareness and the awakening of the creative spirit. The basic elements of creative dance improvisation--force, time, and space--are examined with a view toward how this approach to dance can be a means for growth in the general education of anyone throughout their lives.…