This document consists of remarks introducing a collaborative panel on women's art and art education. By exploring the realms, relevance, and resources on women's art in art education, the panel hoped to address new and continuing issues, and to clarify continuing misunderstandings. The panelists shared the belief that only through consciousness…

This paper reviews some of the recent research relative to the thoughts and writings of the English art critic, Clive Bell, one of the leaders in British art criticism for the first part of the 20th century. Bell's conception of "art as significant form" is considered with specific reference to the following educators: (1) Roger Fry and…

The call for more empirical research in art education during the 1950s seems to be a precursor of the contemporary move toward more systematic instruction in the visual arts. If making art employs nonverbal aesthetic concepts, then conceptual consistency and problem solving within studio instruction can facilitate students' acquisition, retention,…

This paper briefly reviews the concept of cognitive style and then analyzes Witkin's theory on Psychological Differentiation, examining its possible use for research in art education. Cognitive style refers to individual differences in the processes by which knowledge is acquired. According to Witkin's Psychological Differentiation theory,…

In beginning and intermediate foreign language instruction, art has been neglected both as an instructional aid and as enrichment. Squeezed out by popular culture, the contemporary scene, and a perception of elitism, the visual arts nevertheless offer a rich resource in acquainting students with both the depth and the breadth of another culture.…

The nine papers presented in the document are part of a conference held at Coombe Lodge in Bristol, England, which focused on an analysis of the objectives of vocational art and design education and a re-appraisal of the curriculum. The papers include the following: (1) The Report of the Working Group on Vocational Courses, (2) Design Education--A…

The 'back-to-basics' movement has concerned many art educators. Recent legislation in Florida has ensured fine art programs in the elementary and secondary school years and strengthened the art teacher certification requirements. (DF)

The Visual Thinking Strategies (VTS) curriculum was developed to engage beginning viewers in looking at works of art and has been used with children in many parts of the United States and Eastern Europe. The VTS was designed to develop critical thinking in viewing art and to enhance the function of the teacher as the facilitator of the reasoning…

This paper explains the method and value of critical aesthetic inquiry when researching the teaching of art. The paper contends that teaching is an art, and the only appropriate way to research art practice is through an artistic approach to critical inquiry. The paper explains how art education research is distinctive from scientific research. It…

The role of arts education has been receiving increasing emphasis in early childhood education. This paper maintains that teaching itself may be considered an artistic, creative activity in the following ways: (1) teaching presents an artistic performance to the student; (2) the teacher has to make judgments during the course of instruction; (3)…

This paper examines the arguments for and against inclusion of advertising art in art education programs, and presents a case for the educational benefits of critically examining advertising art based on museum masterpieces. A search for examples of fine art masterpieces used in advertising art examined which masterpieces are commonly used in…

Noting that the approach to early childhood education in the schools of Reggio Emilia, Italy incorporates art as a learning tool, this paper describes the Reggio Emilia approach and discusses ways for American educators to apply the philosophies of the Reggio Emilia schools. The paper describes the founding of the schools in Reggio Emilia, by…

This paper describes a disruptive model of interpretation which explores positions in discursive practices embedded in visual culture as a means of understanding self and difference. The model understands interpretation as a Foucauldian technique of the self, and its use may give art teachers and students strategies for understanding the social…

Australian university students attending a 3-year teacher education program (N=329) responded to self-concept items in four Creative Arts domains: music, visual art, dance, and drama. Their responses were then related to their attitudes toward teaching these subjects. Confirmatory factor analysis (CFA) showed that self-concept in each domain was…

Three experiments involving 350 college students were conducted, attempting to validate the phonetic (digit-consonant) mnemonic system as a useful strategy and to apply it to learning artwork. Results supported the use of the system, especially in the combined form for "who" and "when" used in Experiment 3. (SLD)