Teachers read student papers with both eager and anxious expectancy about discourse they have caused but not written. Whatever the teachers may have said about what they will look for as they read, they still measure each paper against their ideas about appropriate performances in each of the categories of textual analysis. They are not reacting…

The idea of experience needs to be examined before the experiential aspect of literary reading can be understood, and before literary reading as an ethical practice can properly be defined. Open-mindedness is necessary when fostering student interpretations of a literary text, just as it is necessary for accepting the varying life experiences of…

Competing views of written texts, of the process of writing, and of the purposes of the scholarly investigation of written discourse appear inherently at odds. Today composition theory is often demeaned as being only pedagogical while literary study is granted the status of a self-fulfilling academic pursuit. What is needed is a model or matrix…

One perspective for literary analysis assumes certain divisions of language, grammar, and "worlds of discourse." The worlds that language can express are the phenomenal, extensional, intensional, and alternate systems. Within these contexts, certain linguistic features universally affect responses to the world created and the language used. One…

The reader response criticism that has arisen in direct response to the New Criticism can be adapted to the needs of the developing writer through its emphasis upon the experience of the reader engaged with the text. The reader response approach generates content--helps the developing writer find something to say--and facilitates the process…

The tendency to think of a literary work as an object or entity existing apart from author and reader has been the greatest stumbling block in literary criticism and the teaching of literature. The transaction between a reader and a text involves the reader in a highly complex, ongoing process of selection and organization. Keeping the reader's…

The reader has replaced the text as the central figure in the teaching of literature. Three techniques that psychologists and educational researchers believe produce better reading comprehension are: the concept of schemata, or the kind of mental outline a reader has when perceiving something; the acquisition or development of an appropriate…

During the past 15 years, a fundamental change has taken place in literary criticism, with a decline in New Criticism (literature viewed as a public object) and an increase in reader response criticism (literature viewed as a private experience). New Critics considered the meaning of a literary text to exist within the text as an independent and…

Reading comprehension involves making connections between prior knowledge and the visual information on the page. To reduce uncertainty, the reader makes orthographic, syntactic, or semantic predictions. Thus, comprehension is relative, dependent on the answers to different readers' different kinds of questions. The reader does not record a…

The "individual forming meaning with a text" is a private and fundamental semiotic process involving relationships among text, individual, and meaning. Prior to an individual's use of language for aesthetic purposes lies the presupposition of the aesthetic language act--that the individual approaches the text expecting to work and be rewarded.…

This essay explores the concept of reader stance as defined by L. Rosenblatt (1978, 1994) as a useful framework from which to view the relative imbalance between the efferent and aesthetic reading of literature, particularly among schoolage adolescents. It then examines how 4 theoretical models and perspectives offer considerable explanatory…

Analogies between the reading and writing processes can be drawn from a method of teaching literature that is based on Louise Rosenblatt's transactional theory of reading. The prime responsibilities of teachers of literature are to allow students the right to experience the text for themselves, arriving at their own interpretations, and to make…

Three factors in the reader have a generalized effect on all perception, including reading: competence, purpose, and set. Competence involves applying past learning to new learning through transference, understanding the conventions of different types of texts, and transforming the text through the perceptual process into a new entity. Competent…

The central feature of language is symbolic meaning, and the act of reading is a part of the symbolic process that characterizes human life. Meaning occurs as a result of interpretation in a context, not as a result of response or reaction. Signs have a literal meaning in a specific context, while symbols have a figurative meaning in an implicit…

What is pleasing about hypertext is what has always been pleasing about genre fiction: the creative process of reading. Genre novels are written to a formula--and often called formula fiction. Critics say they are written to make money and to make money only. According to C. S. Lewis, they "rot the mind." If looked at from the standpoint…