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Aiex, Nola Kortner – 1985
New York City as a subject has fascinated generations of artists, writers, and musicians. However, the glamorous image of the city has changed over the years, and in the 1960s, popular music, in particular, began to reflect a utopia/dystopia dichotomy in relation to New York. During the past twenty years, six popular singer-songwriters who have…
Descriptors: Audiodisks, Music Appreciation, Musical Composition, Popular Culture

Thorisson, Thorir – Bulletin of the Council for Research in Music Education, 1997
Compares the effects of explicit training in classical and romantic styles, the relevance of four musical dimensions, and the congruence of categorizations with predictions of exemplar- or prototype-theories of concept formation. Explains that subjects in both the exemplar and prototype groups relied on independently abstracted cues rather than…
Descriptors: Classical Music, Classification, Educational Research, Evaluation Criteria
Woodruff, Ernest R.; Heeler, Phillip J. – 1993
One component of a model of creativity, the application of an understanding of elements, was explored through a study of college students applying their understanding of such musical elements as harmony, melody, rhythm, timbre, and dynamics. The 24 subjects were students in a music appreciation class, and the project was implemented using a…
Descriptors: College Students, Computer Assisted Instruction, Computer Software, Creativity