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Sanderson, Richard A. – 1977
Focusing on documentary elements, this study examines the film content and film techniques of 681 motion pictures produced in the United States prior to 1904. Analysis of films by type, subject matter, and trends in subject matter shows that one-third of the early films are documentary in type and three-fourths of the films use subject matter of a…
Descriptors: Documentaries, Film Criticism, Film Industry, Film Production
Bruder, Carolyn R. – 1994
Film is not often taught for itself and by itself; it is too often viewed as the handmaiden of literature. More often than not it is taught in English departments because: (1) like novels, poems, plays and philosophical arguments, it is a humanistic text; (2) film writers and directors have historically turned to literary texts as their source…
Descriptors: College English, English Departments, Film Criticism, Film Study
Rushing, Janice Hocker; Frentz, Thomas S. – 1980
A psychological/ritual model of criticism is used to examine the movie "The Deer Hunter" as a rhetorical event in which males undergo psychological change through their war and postwar experiences. The critical model depends on understanding a Jungian interpretation of the human psyche, the form and function of initiation rituals, and…
Descriptors: Film Study, Films, Literary Criticism, Models
Foss, Karen A. – 1980
Three components seem central to the definition of a documentary film: (1) the filmmaker should seek to provide as valid a record as possible of the facts, (2) the filmmaker must not neglect artistry in the portrayal of reality, and (3) a persuasive purpose is inherent to the form. Thus, documentary film provides for the artistic portrayal of…
Descriptors: Course Content, Course Descriptions, Curriculum Development, Documentaries
Bennett, James R.; Lindell, Richard L., II – 1977
To parallel Lester Asheim's doctoral thesis that compared the endings of 24 novels with their 1935-1945 filmed adaptations, this study examined the endings of 88 films produced between 1946 and 1977, comparing the literary endings with the filmed endings by the same criteria that Asheim used. The data indicate both similarities and differences to…
Descriptors: Comparative Analysis, Content Analysis, Fiction, Film Criticism
Burke, Ken – 1996
Sharing some organizational frameworks, this paper presents two groups of diagrams that have been employed in various communication classes to illustrate how theoretical understandings can be used as paradigms to help organize information in a more clarified manner. The first part of the paper discusses diagrams which are directly relevant to…
Descriptors: Communication (Thought Transfer), Diagrams, Film Criticism, Film Study
Gerlach, John – 1974
For at least two kinds of literature instructors, classroom use of a film derived from a Shakespeare play is potentially promising: a Shakespeare course instructor can present one attempt to visualize the implications of the printed word, and a teacher of a course which compares film and literature has at least one respectable film adaptation of a…
Descriptors: Drama, Film Study, Films, Literary Criticism
Novak, Glenn D. – 1986
Although usually considered the "master of suspense," Alfred Hitchcock relished working humor into his films, frequently juxtaposing it against scenes of utter gruesomeness. This placement of comic elements--comic relief--in an otherwise serious murder mystery or suspense thriller became a Hitchcock trademark early in his career.…
Descriptors: Auteurism, Film Criticism, Film Study, Films
Taylor, Anita – 1987
Studio D of the National Film Board of Canada, a women's film making unit established to make films by, for, and about women, has created a group of five films that effectively develop the argument that women can and must join the effort to bring peace to a nuclear world. The first of these peace films, "If You Love This Planet,"…
Descriptors: Disarmament, Documentaries, Females, Feminism
Bakony, Edward – 1974
A study of symbolism in feature films reveals how the symbolism employed by film makers can serve as a bridge between feeling and thought, and between aesthetics and cognition. What individuals read from and learn through a symbol varies with what they bring to it. The filmmaker's symbolims must be universal and not private. However, symbolism in…
Descriptors: Characterization, Color, Communication (Thought Transfer), Figurative Language
Tillman, Lisa M.; Bochner, Arthur P. – 1995
An undergraduate course at the University of South Florida called "Relationships on Film" treats movies as relationship texts to be "read" by active viewers. Through the semester, students engage film in two ways. First, they interpret films as response papers. Each week, students watch the assigned film outside of class. Then…
Descriptors: Audience Response, Communication (Thought Transfer), Critical Thinking, Film Criticism
Kokonis, Michael – 1993
This paper suggests ways in which video can be used in teaching college literature and cinema courses in order to promote audiovisual literacy. The method proposed presupposes an approach to narrative through narratology, the discipline that examines texts of narrative fiction as narratives, irrespective of their mode of manifestation (verbal,…
Descriptors: Courses, Educational Media, Film Criticism, Film Study
Ellsworth, Elizabeth – 1987
The purpose of this study was to investigate how some ways of making sense of the world get privileged over others when teachers and students use specific educational films in specific learning environments. The methods of formalist and ideological film analysis are used to describe how educational films are distinct in their form and style from…
Descriptors: Characterization, Comparative Analysis, Educational Sociology, Film Criticism
Matviko, John W. – 1987
A comparison of the current television series "Miami Vice" with the "film noir" genre of American movies from the forties and fifties reveals many similar elements, such as visual style, mood, theme, and sensibility. "Miami Vice" is set in a large city whose art deco architecture provides an ironic contrast to noir's…
Descriptors: Comparative Analysis, Content Analysis, Film Criticism, Film Study
Combs, James – 1984
To understand film as a form of political communication, movies must be regarded as an art form made both with commercial and aesthetic considerations and with cultural, industrial, and artistic traditions in mind. Filmmaking must also be viewed as a process or as a temporal activity of a culture. Through political mediation, or the process of…
Descriptors: Auteurism, Film Criticism, Film Production, Film Study
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