The beginning creative writer usually needs to learn the distinction between creative writing and purely informational or reportorial exposition. This can often be accomplished through writing assignments incorporating the concepts of New Journalism--the method of rendering realistically, from the point of view of an outsider who has temporarily…

Getting students involved in the process of heightening, which is really the transforming of experience and self-expression into fiction, is a basic factor in teaching the writing of fiction. This process of heightening involves two devices for communicating "felt life": concretization and dramatization. In teaching these devices, prewrigting…

Designed to combine the science and the art of teaching composition, this series of assignments encourages junior high and high school writing students to explore tone, original visual images, point of view, and other literary techniques. One assignment asks students to write a number of paragraphs alternately using sarcasm, humor, melancholy, and…

This paper outlines a poetry program for fifth grade students that was intended to help children increase their awareness of their environment, bring order to their own experiences, and increase their sensitivity to the physical base of language. To measure change in the children's use of figurative language in prose writing, each child was asked…

Basic writers can be taught to write effective expository prose if they are taught to revise, and they can make considerable progress if they are given opportunities to write narration before tackling the complexities of exposition. Narratives come easily to basic writers and allow them complete control over subject matter and language. The…

A study was conducted to determine how effectively children write when motivated by viewing a work of art and what kind of art they would choose most frequently for motivation. A group of 55 students from second, fourth, and eighth grade classrooms were selected to respond to reproductions of familiar paintings with either fictional or factual…

Paragraph writing mediated by imagery is richer, more flexible, and more creative than that produced by the somewhat impoverished, predictable, one-process model usually taught in composition classes. Since the writing advice given students differs considerably from the practice of professional writers, students should be given exercises that not…

This paper describes a year-long, college senior composition course based on nature writing and open to students from all content areas. Nature writing is defined as writing about nature with the specific requirement that the writer must remain true to the objective facts of nature while at the same time presenting the human response to, and the…

Provided and discussed are examples of children's writing that can be valued aesthetically. Teachers should help children evaluate their own writing processes and products. This self-evaluation will help children develop their own creativity and make them more able to appreciate the writing of others. (RM)

Synectics is the use of thinking in metaphors, or figurative language in general, to see the familiar in unfamiliar ways or the unfamiliar in familiar ways. W.J.J. Gordon and his Cambridge Synectics Group isolated ways to think metaphorically by using artistic problem-solving mechanisms most people possess in their experiential background. This…

By following the "steppingstone" or marker theory of dividing one's life into no more than 12 and no less than 8 significant periods, a student in a writing course can develop a brief response for each phase to articulate multiple experiences. Writing teachers can aid students in realizing that important life experiences are the stuff of…

This collection of four papers focuses on the Lancaster and Sussex Projects (England) that place an emphasis on writing outside of school and outside of work by "ordinary" people in their everyday lives. The papers refer to each other; the first is an introduction for the others. "Introduction: Making Writing Visible on the…

A case study traces the evolution of "once-upon-a-time" in a child's classroom story writing, drawing upon data collected in a three-year study of writing development in an urban magnet school. The subject, Mitzi, is observed from kindergarten through second grade. The study assumes that stories are cultural discourse forms that serve…

Eighth grade students, in response to a pictorial stimulus (either an intact picture, or a series), were instructed to write either a story (which would be enjoyable for another eighth grader) or a description (which would help another eighth grader visualize the picture). Thirty responses from each of the four task conditions were then analyzed.…

Arranged into four parts, the paper offers practical and motivating techniques for using the dime novel in high school classrooms, particularly in the study of women's history. The first part of the paper describes the historical background of the dime novel that was originally intended to entertain the reading public with fast-paced action, high…