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Morris, Julia E.; Lummis, Geoffrey W.; Lane, Jenny – Australian Association for Research in Education, 2015
Media arts develop students? digital literacies so they can critically engage in the media-rich Australian lifeworld. However, pre-service teacher education courses often marginalise The Arts subjects, including media arts. In 2014, a pilot study was undertaken to determine first-year Bachelor of Education (Primary) pre-service teachers'…
Descriptors: Preservice Teachers, Student Experience, Preservice Teacher Education, Foreign Countries
Julian, June – Online Submission, 2012
This historical research provides an examination of the embroidered word as a visual art piece, from early traditional examples to contemporary forms. It is intended to encourage appreciation of embroidery as an art form and to stimulate discussion about the role of historical contexts in the studio education of artists at the university level.…
Descriptors: Art Education, Handicrafts, Art History, Popular Culture
Julian, June – Online Submission, 2008
Ecology Art as a genre addresses sensitivity to our natural world and the interdependence of all living things, Over the past several decades Ecology artists have developed a distinguished tradition including a variety of international projects. In recent times, Eco Artists have also been exploring Internet technologies, and are being joined by…
Descriptors: Ecology, Conservation (Environment), Art Products, Artists
Julian, June – Online Submission, 1998
Using exercises based on the stacked mattresses image from the tale of "The Princess and the Pea," combined with Ecker and Kaelin's Aesthetic Inquiry ladder schematic, will help art educators schematize their thinking and talking about art in the classroom. Whether by selecting phenomenology or another philosophical method for navigating…
Descriptors: Art Education, Phenomenology, Art Criticism, Theories
McGregor, Rob – 2000
Noting that those objects and images currently accepted in the world of fine art might not contain those things posterity will consider significant, this paper offers a practical workshop activity that creates a culture from each individual's imagination. The activity explores images influenced by others or by individual values that reflect a…
Descriptors: Art Activities, Art Education, Art Products, Creative Expression

Carney, Russell N.; Levin, Joel R. – Contemporary Educational Psychology, 1994
Three experiments involving 350 college students were conducted, attempting to validate the phonetic (digit-consonant) mnemonic system as a useful strategy and to apply it to learning artwork. Results supported the use of the system, especially in the combined form for "who" and "when" used in Experiment 3. (SLD)
Descriptors: Art Education, Art Products, Artists, College Students
Kader, Themina – 2001
College students in art history courses study African art more frequently than in the past. Textbooks and videos, however, do not reflect the realities of creative expression today in Africa. Rather, African art dwells on the traditional arts of the west and southern regions of Africa. This paper focuses on eastern and southern sub-Saharan Africa…
Descriptors: Aesthetics, Art Education, Art Expression, Art History
Lantz, Chris – 1996
Today the chemical processing of film is being replaced by a virtual digital darkroom. Digital image storage makes new levels of consistency possible because its nature is less volatile and more mutable than traditional photography. The potential of digital imaging is great, but issues of disk storage, computer speed, camera sensor resolution,…
Descriptors: Art Education, Art Products, Computer Uses in Education, Distance Education
Hamblen, Karen A.; Smith, Sara – 1994
Research studies in art education are done under certain methodological conditions, for specified purposes, and from selected philosophical perspectives. In this study, empirical research published in "Studies in Art Education" (volumes 1-33, 1960-1993, 195 studies) was analyzed. A research art style is considered as resulting from the…
Descriptors: Art Education, Art Materials, Art Products, Design
Brown, Neil; Thomas, Kerry – 1999
Descriptions of the creative disposition are caught in a dilemma. If the spontaneous origination of ideas is a product of discrete mental dispositions, then how are these intentional traits made intelligible within conventional discourse? On one hand art students are obliged by teachers to find creative authenticity inside their own intentional…
Descriptors: Art Education, Art Products, Art Teachers, Classroom Research

Vallance, Elizabeth – Educational Researcher, 1995
A public curriculum is inherent in the orderly images in art museums. This voluntary public access curriculum offers challenges and useful metaphors for educators working in more structured settings. The parallel roles of school and art museum educators are traced. (SLD)
Descriptors: Access to Information, Art Education, Art Products, Cultural Education
Bleiker, Chuck; Marra, Kim – 1993
This paper examines art, a discipline that bears striking parallels, and differences, in the way it is practiced and valued in the United States and Japan. In Japan, art is a valued part of the elementary curriculum warranting as much time as science and social studies. In the United States, art is generally thought of as something extra to do if…
Descriptors: Art Activities, Art Education, Art Products, Childrens Art
Zuk, Bill; Dalton, Robert – 1997
The University of Victoria Maltwood Museum and Art Gallery (British Columbia) recently acquired a collection of 2,000 limited edition silkscreen prints that documents the development of the Aboriginal print medium from the 1950s to the present. Master artists from all six major linguistic and cultural First Nations coastal groups of British…
Descriptors: American Indian Culture, Art Education, Art Products, Canada Natives
Haanstra, Folkert; And Others – 1997
Art education in The Netherlands, which had been dominated by an expressive approach that emphasized creative self-expression, has recently changed its emphasis to reflect a discipline-based approach and the wish for more accountability in art instruction. Final examinations have been produced for secondary art classes, with the testing of art…
Descriptors: Accountability, Art Appreciation, Art Education, Art Expression
Gurley, Jay – 1985
Art exhibits on college campuses not only foster aesthetic appreciation and knowledge, but they also stimulate and encourage community involvement. In New Mexico, public and institutional policies permit the purchase of art to enhance public buildings, including institutions of higher education. At Eastern New Mexico University's Clovis Campus…
Descriptors: Aesthetic Education, Art Appreciation, Art Education, Art Products