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Paterson, Susan – 1999
This paper considers the artistic and literary movement called "Postmodernism." Noting that postmodernism is intellectually grounded in the premise that its discourse must expose positions of privilege and power relations in society, the paper asks of art education, How much has the postmodern condition, a thesis of cultural relativism…
Descriptors: Aesthetics, Art Education, Art Expression, Art History
Cary, Richard – 1999
This paper describes postmodern theory as a paradigm composed of concepts and ideas. It does not describe postmodern theory as if it were developed logically from a simple premise, because it was not, nor can the postmodern paradigm be described in neat, concise terms. The paper presents a review and explication of postmodernism's theoretical…
Descriptors: Aesthetics, Art Criticism, Art Expression, Art History
Kader, Themina – 2001
College students in art history courses study African art more frequently than in the past. Textbooks and videos, however, do not reflect the realities of creative expression today in Africa. Rather, African art dwells on the traditional arts of the west and southern regions of Africa. This paper focuses on eastern and southern sub-Saharan Africa…
Descriptors: Aesthetics, Art Education, Art Expression, Art History
Simpson, Judith W. – 1991
In post-medieval times, art became sacrosanct rather than special as it had been regarded in previous cultures. This notion still drives art education and prevents the inclusion of entire cultures in contemporary curricula in art education. The myths that any society lives with, whether religious, political, or economic, are embedded in that…
Descriptors: Art Appreciation, Art Education, Art Expression, Art History
Yokley, Shirley Hayes – 1995
This paper explores the question of introducing a critical pedagogy of representation into the art classroom, what it means and how it works. A critical pedagogy of representation holds socially transformatoryugoals that work toward a critical democracy. The approach affords opportunity for oppositional readings of texts and images by opening up…
Descriptors: Aesthetic Values, Art, Art Criticism, Art Education
Labadie, John Antoine – 1991
The study of Native American rock art should be more fully incorporated into art education and art history curricula, especially at the precollege level. Rock art is a sensitive reflection of the culture from which it sprang, it provides one of the most direct links with ancient lifeways and ideas recorded by early ancestors, and as a form of…
Descriptors: Art Appreciation, Art Education, Art Expression, Art History
Haanstra, Folkert; And Others – 1997
Art education in The Netherlands, which had been dominated by an expressive approach that emphasized creative self-expression, has recently changed its emphasis to reflect a discipline-based approach and the wish for more accountability in art instruction. Final examinations have been produced for secondary art classes, with the testing of art…
Descriptors: Accountability, Art Appreciation, Art Education, Art Expression