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Fawcett, Trevor – 1979
A new classification is needed which would not prejudge the boundaries of art, one that would bring together in one place the literature on every sort of material artefact, tool, and artwork, without distinction. Within this grand class of artefacts, the sub-arrangement would, as far as possible, respect the integrity of individual cultures. Only…
Descriptors: Art, Art History, Classification, Libraries
Paterson, Susan – 1999
This paper considers the artistic and literary movement called "Postmodernism." Noting that postmodernism is intellectually grounded in the premise that its discourse must expose positions of privilege and power relations in society, the paper asks of art education, How much has the postmodern condition, a thesis of cultural relativism…
Descriptors: Aesthetics, Art Education, Art Expression, Art History
Okubo, Itsuo – 1980
Problems in the documentation of the history of fine arts in Japan are explored through a description of the influences of personalities and institutions in the historical study of Japanese art, a survey of the literature and documents involved, and the relationships between museum and library documentation procedures. Suggestions offered for the…
Descriptors: Art History, Documentation, Fine Arts, Foreign Countries
Niblack, Rita A. – 1995
For centuries societies have understood the importance of art in relationship to other disciplines. Many great artists were also writers and poets. Many artists were well educated in classical literature from which they drew inspiration for paintings and sculptures. The document argues that the obvious meeting place for the two disciplines of art…
Descriptors: Art, Art Criticism, Art Education, Art History
Lewis, Charles – 1993
"The Ring Toss," a gum-print six-by-eight-inch photograph produced in 1899 and first published in 1903, has become one of photographer Clarence White's most noted images. It is an example of soft focus, or fuzzy pictorialism, a type of American art photography most practiced around the turn of the century. This analysis of the photograph…
Descriptors: Art Criticism, Art History, Artists, Cultural Background
Tapley, Erin – 2001
What types of considerations are appropriate for selecting artists to represent key themes in the history of art? How do minority artists in the United States fit into this selection process? Previously, most art history courses and texts emphasized the highlights of significant creative expression as evolving in the Western world antiquity. In…
Descriptors: Art Education, Art History, Artists, Change Agents
Sandell, Renee – 1991
This document consists of remarks introducing a collaborative panel on women's art and art education. By exploring the realms, relevance, and resources on women's art in art education, the panel hoped to address new and continuing issues, and to clarify continuing misunderstandings. The panelists shared the belief that only through consciousness…
Descriptors: Art, Art Education, Art History, Art Teachers
Crawford, John Stephens – 1989
The Perry scheme of student development, as determined by William G. Perry, Jr. and his associates at the Bureau of Study Counsel of Harvard University, is discussed. His nine levels of development include dualism, multiplicity, and commitment. A study by Mary F. Belenky showed that Perry's students were almost exclusively male, and she noted that…
Descriptors: Art History, Art Teachers, College Students, Excellence in Education
Hamblen, Karen A. – 1989
The character of art criticism, both how it naturally occurs and how it is academically constructed, is reflective of social and aesthetic value orientations--much as the art object itself has been found to be a clue to the values of the society in which it is practiced, used, and appreciated. The belief that the art object possesses…
Descriptors: Aesthetic Education, Aesthetic Values, Art, Art Appreciation
International Federation of Library Associations, The Hague (Netherlands). – 1982
Papers on art libraries, librarianship, and documentation presented at the 1982 International Federation of Library Associations (IFLA) conference include: (1) "The Tyranny of Distance: Art Libraries in Canada," a description by Mary F. Williamson of Canada's regional art libraries which serve both art students and the general public;…
Descriptors: Art History, Bibliographies, Foreign Countries, International Organizations
Pena, Lydia M. – 1984
In the past 15 years, women have made substantial strides in remedying several longstanding injustices towards women in art. Through considerable pressure and discussion, a small group of women succeeded in convincing the Brooklyn Museum of Art to host an exhibition of women artists in the 1970s. Women art professors also staged a successful…
Descriptors: Advocacy, Art Education, Art History, Artists
Alexander, Robin Ruth – 1979
The author describes the structure and methodology of "educational criticism" and provides excerpts from a study done in a high school art history class. Educational criticism is based on lengthy classroom observations and describes, interprets, and evaluates classroom life. The educational critic must be knowledgeable about classrooms and the…
Descriptors: Analytical Criticism, Art History, Classroom Observation Techniques, Course Evaluation