The present study aims at presenting a thorough account of the field termed literary pragmatics which emerges in a consequence of applying the different pragmatic approaches to the study and analysis of literary genera. Additionally, it also attempts to explore and shed some light on the relationship between the two domains: pragmatics and…

In Morocco, debates over English language instruction have marginalized poetry as a distinct literary genre. The shortage of poetry events arguably makes poetry teaching both daunting and intimidating. Besides fostering trust, memorization, and empathy, helping students develop a penchant for English language, as well as humanity, poetry, and…

Case illustrations of a six-year-old boy's adventures with a missing tooth are used in this paper to re-define a broader notion of authorship. Drawing on theories of social semiotics, New Literacy Studies (NLS), and critical positioning, this notion of authorship not only interweaves the boy's preferred modes of meaning-making and communication,…

The work presented here is an empirical study of how advanced learners of English as a foreign language in Argentina access and understand the culture-specific dimensions of literary narrative texts. It has three purposes. First, to extend research into reading in a foreign language to take account of the culture-specific content of texts. Second,…

Describes "impersonal narration," an approach that defends the concept of the cinematic narrator as a logical and pragmatic necessity. Compares this approach with existing theories of the cinematic narrator, addressing disagreements in the field of film narrative theory. (MM)

Establishes that narrative theorists of the Hellenistic period described the ill-defined technique of architectonic parallelism by way of its absence, criticizing less elaborated works as unfinished and half-finished. Offers two narrative complexes from the "Gospel of Mark" as case examples of his assumptions of audience awareness as a…

Analyzes "The Italian" (1915), an early "immigrant" film, examining its problematic relation to questions of working-class and middle-class audience composition. Shows how this film reveals that the creation of narratives suitable for diverse audiences requires continuous readjustment of an adequate mode of address. (MM)

Develops an approach to rhetorical criticism by integrating the work of Marxist literary critic Frederic Jameson with that of the depth psychologist C. G. Jung. Reconceptualizes the cultural psyche as composed of historical and universal elements, redefines the rhetorical and moral functions of narrative texts, and casts the rhetorical critic as…

Follows particular parallels between oralist and electronic mediation to explore narrative or storytelling as a rhetorical form that transcends mediation. Reviews how writing-based cognition may bind progress in rhetorical practice and theory. Examines how narrative is media-transcendent. Reflects on the nature of media shifts. (SR)

Studies the role of four rhetorical elements in generating shared meaning in two different samples of public relations writing. Finds that narratives were particularly important because they provided a comprehensive, compelling framework for belief and thus contributed greatly to the shared meaning created by writers and readers. (SR)

In order to compare how healthy and troubled corporations communicate with their shareholders, a study examined the narrative of the 1982 annual report of 50 of America's best-run corporations (as compiled by Thomas Peters and Robert Waterman for their book, "In Search of Excellence"). The focus was on the letter to the stockholders--the…

An artistic verbal performance is something more than words, yet most critical commentary on this genre focuses on the word, on the linguistic level. A methodology for making performance-centered texts is described based on the performance of "Stagolee," a story that originated from Julius Lester's book, "Black Folktales." A…

Focuses on the way entities are introduced into discourse, how they are referred to again later, and what motivates speakers to choose particular anaphora to manage reference at a given point in a narrative. Compares anaphoric patterns in English and Mandarin narratives. (HB)

Examines Biblical apocalyptic theory and secular apocalyptic literature. Proposes a new theory of apocalypticism in secular public discourse derived from those two major theories. Provides examples of apocalypticism in secular public discourse. (MM)

Explores the narrative construction of Israeli symbolism by tracing the tellings and retellings of the story of the 1936-39 settlement operation known as "Tower and Stockade." Highlights the dialogical process in which such high profile, multivocal national narratives participate and considers the rhetorical role they play in the larger…