This paper begins with the assumption that the interpretive practices people acquire in social worlds often transfer to their stances toward and interpretations of worlds encountered in literature (Beach, Thein, & Parks, 2007). The goal of this paper is to identify the history and logic behind one student's negative, ambivalent, and positive…

Examines Cornell Woolrich's 1940 novel, "The Bride Wore Black," which Francois Truffaut scripted and adapted for the screen in 1967. Pursues the focus on audience receptivity, where an adaptation faces its ultimate test. Analyzes the novel from a reader response perspective, then moves to the film as Truffaut sought to…

While there has been a great deal of debate about enlarging the canon, less attention has been paid to how students respond to "new" literary figures such as Margery Kempe and Julian of Norwich, or to how instructors should incorporate them into an already cramped literature survey course. Instructors must consider some questions that…

Using composition, reader response, critical, and feminist theories, a teacher demonstrates how adult students respond critically to literary texts and how teachers must critically analyze the texts of their teaching practice. Both students and teachers can use writing to bring their experiences to interpretation. (SK)

Discusses one seven-year-old girl's responses to three feminist folktales. Finds that for each tale, the girl was drawn to the female protagonist and named her as her favorite character, but the girl did not wish to emulate the female protagonists because of their unconventionality. Suggests that such tales may offer alternative models of female…