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Szatek, Elsa; Gunnarsson, Karin – Research in Drama Education, 2023
This article concerns how the normative matter of body hair is playfully encountered within a theatre practice for teenage girls. By working with Deleuzian-inspired theories, playfulness is understood as embodied doings, interwoven with the local context. The article explores how playfulness is enacted in relation to the everyday, in particular…
Descriptors: Females, Theater Arts, Play, Human Body
Sarikaya, Hakan Serhan – International Journal of Progressive Education, 2022
Art is an educational activity that can be done in any era or by any generation. Theatre art, which has contributed to the individual and social development of individuals since early times, has had a privileged place in the world of education. New approaches in the science of theatre and pedagogy have emerged in the current age and substantially…
Descriptors: Females, Employed Women, Foreign Countries, Art Education
Williams, Kristin S. – Qualitative Research Journal, 2021
Purpose: Ficto-feminism is offered here as a creative method for feminist historical inquiry in management and organizational studies (MOSs). Design/methodology/approach: This paper introduces a new method called ficto-feminism. Using feminist polemics as a starting point, ficto-feminism fuses aspects of collective biography with the emic…
Descriptors: Theater Arts, Feminism, History, Biographies
Desportes, Kayla; McDermott, Kathleen; Bergner, Yoav; Payne, William – ACM Transactions on Computing Education, 2022
Performing arts computing environments have received little attention in the educational sphere; yet, they offer opportunities for learners to validate their efforts, ideas, and skills through showcasing their work in a public-facing performance. In this work, we explore an out-of-school dance and computing educational program run by the…
Descriptors: Minority Group Students, Females, Self Concept, Theater Arts
Hill, Jessica – TESOL Journal, 2023
This article presents select findings from a case study about applied theatre at a school for girls with refugee backgrounds in the United States. The data were collected through direct observations, semi-structured interviews, and analysis of students' work. The study uses an intersectional analysis to explore relationships between gender, race,…
Descriptors: Theater Arts, Single Sex Schools, Females, Refugees
Pribyl, Jill – Research in Dance Education, 2022
It has been almost twenty years since Namasagali College, a co-educational secondary school in Eastern Uganda, staged its last performance, yet the memory of these musical theater productions are recalled with the nostalgia of a lost renaissance. These transdisciplinary productions that utilized modern dance, acting and mimed songs transformed the…
Descriptors: Foreign Countries, Dance Education, Secondary School Students, Theater Arts
Szatek, Elsa – Education Sciences, 2020
This article is aimed at exploring the political characteristics of the drama space, which reflects, juxtaposes, and opposes particular sites in a participant's everyday life, such as the school. By putting spatial theories to work, this article investigates the drama space belonging to an all-girls community group in Sweden, participation in…
Descriptors: Drama, Females, Community Programs, Foreign Countries
Dreier, Jenna – Research in Drama Education, 2021
Shakespeare's elite cultural status bolsters the sense of achievement and empowerment experienced by participants in prison performance programmes; and yet, such engagements paradoxically risk further marginalising participants by reinforcing a colonial mentality in which Shakespeare represents an offering from a morally superior white culture.…
Descriptors: Correctional Institutions, Institutionalized Persons, Drama, Females
Larri, Larraine; Whitehouse, Hilary – Australian Journal of Adult Learning, 2019
In this paper, we explore the concept of Nannagogy, an innovative pedagogy of informal adult learning enacted by the activist 'disorganisation', the Knitting Nannas Against Gas and Greed (KNAGs). The 'Nannas' are predominantly older women who undertake non-violent direct action using fibre craft, knit-ins, lock-ons, and occasional street theatre…
Descriptors: Social Change, Older Adults, Females, Activism
Eldhose, Adakkaravayalil; Das, Neethu – Research in Drama Education, 2015
This paper is a study of a Malayalam documentary play "Not Just the Victims" staged by Abhinaya Theatre Research Centre Trivandrum. Along with analyzing the documentary method of the play this study looks at how the theatre group employed the play for "re-educating" the people regarding certain existing norms. The play…
Descriptors: Foreign Countries, Drama, Theater Arts, Cultural Awareness
When the Girls Still Wore Headscarves: Integration and Belonging in an After-School Center in Berlin
Burnside, Bruce S. – Diaspora, Indigenous, and Minority Education, 2015
This study is centered on a youth center in Berlin, Germany, that serves migrant females. It draws on the anthropology of performance and the concept of "friction" to argue for an understanding of performances of belonging, where migrant girls stage acts of inclusion through creative encounters with the forces of integration to negotiate…
Descriptors: Foreign Countries, Youth Programs, Females, Immigrants
Sánchez Ares, Rocío – Educational Action Research, 2015
Feminist action research interrogates gendered dynamics in the development of a collective consciousness. A group of immigrant Latina women (Latinas) from the Caribbean and Central America employed community-based theater as an instrument to mobilize diverse audiences against discriminatory practices and policies. Based on their theater work, I…
Descriptors: Females, Feminism, Inquiry, Theater Arts
Christensen, M. Candace – NASPA Journal About Women in Higher Education, 2015
This study explores the experiences of male college students who participated in a theatre-based, peer-education, sexual assault prevention presentation. The program was established through the use of Pedagogy of the Oppressed and Theatre of the Oppressed, as well as multicultural feminist theory and approaches. These models emphasize subverting…
Descriptors: Males, College Students, Violence, Prevention
Winn, Maisha T. – Race, Ethnicity and Education, 2010
This study examines the ways in which playwriting and performance provide tools for incarcerated and formerly incarcerated girls to prepare for their lives beyond detention centers and probation. In a three-year multi-sited ethnography journeying through regional youth detention centers (RYDCs), a multi-service center serving formerly incarcerated…
Descriptors: Playwriting, Females, Correctional Institutions, Ethnography
Trayes, Jan; Harre, Niki; Overall, Nickola C. – Journal of Adolescent Research, 2012
Stage Challenge is a performing arts competition for New Zealand secondary schools. This longitudinal study used observations, repeated questionnaires, informal conversations, and a graffiti board to follow the 5-month experience of a student-led girls' team aged 10 to 17 years (n = 103). The focus was on the quality of their experience and what…
Descriptors: Theater Arts, Integrity, Foreign Countries, Secondary School Students
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