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Helmick, Linda – Art Education, 2022
White Savior Industrial Complex (WSIC) encapsulates a myth that non-White communities need White outsiders to rescue them. WSIC is one of many ways well-intentioned outsiders fail to serve communities, and teacher education programs perpetuate WSIC by obscuring race, Black culture, and White privilege. In addition to WSIC theory, the author used…
Descriptors: White Teachers, Ethnic Stereotypes, Minority Group Students, Art Teachers
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de la Luz Leake, Maria – Art Education, 2021
In this article, learning about Native American culture is explored, but culturally sensitive practices also have implications for shaping learning experiences about other cultures. Fortunately, there are reputable and well-thought-out curriculum resources to counter misinformation about Native Americans (Caldwell-Wood & Mitten, 1991; Denver…
Descriptors: American Indian Culture, Art Education, Art, Museums
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Aghasafari, Sahar; Bivins, Kelli; Muhammad, E. Anthony; Nordgren, Brendan – Art Education, 2022
Art integration has been used to explore "the relevance and approaches to arts education connected to [the larger] curriculum and instruction with learners of all ages, including teacher learners" (Cahnmann-Taylor & Sanders-Bustle, 2019, p. 2). Art integration utilizes commonalities among the many components of other disciplines.…
Descriptors: High School Students, Bilingual Students, Multilingualism, Art Activities
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Kantrowitz, Andrea; Fava, Michelle; Brew, Angela – Art Education, 2017
New understandings of drawing, emerging from the conjunction of methods and models from cognitive science and arts-based research, have important practical applications for art education and beyond. This article gives a brief account of recent drawing and cognitive research and discusses the relevance for art teachers. Through their research, the…
Descriptors: Research and Development, Theory Practice Relationship, Cognitive Science, Freehand Drawing
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Leeds, Jo Alice – Art Education, 1987
Provides a four-category conceptualization of art which identifies the means of making art and the various elements of art. Discusses the aims of art and reasons for creating it. Examines the relationship that should exist between the ends and means of creating art and how it is taught and learned in schools. (JDH)
Descriptors: Aesthetic Education, Art Education, Curriculum Development, Educational Theories
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Rush, Jean C. – Art Education, 1979
The arts are in trouble in the public schools, says the author. This article is intended to clarify the kind of investigation that artists and educators are counting on to supply some support for the balanced curriculum, that is, the inclusion of the arts in public education. (Author/KC)
Descriptors: Art, Art Appreciation, Art Education, Cognitive Processes
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Vannatta, Bonnie – Art Education, 1979
It is suggested that the right hemisphere of the brain--the creative, visual, imaginative--is being ignored in today's classroom, and ways of correcting this are presented. It is in this way that humanistic qualities may be established in existing curriculum. (KC)
Descriptors: Art Appreciation, Art Education, Cerebral Dominance, Cognitive Processes
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Jeffers, Carol S. – Art Education, 1993
Explores the interrelationship of educational research to art. Recommends using art as a part of research methodology. Describes the use of a nineteenth-century painting, "The Knitting Lesson," as a metaphor for incorporating the use of research in preservice art education. (CFR)
Descriptors: Aesthetic Values, Art Education, Elementary Education, Fine Arts
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Chia, Jane; Duthie, Birnie – Art Education, 1993
Describes an experimental set of workshops in which primary age children used computers to create visual images. Concludes that using computers to create student artwork offers significant opportunities for primary and elementary art education. (CFR)
Descriptors: Art Education, Art Products, Childrens Art, Class Activities