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Katy Ieong Cheng Ho Weatherly; Ivy Ho I Chao – Music Educators Journal, 2024
In this article, we explore the theory and practical application of gamification learning in music education, specifically targeting young students. Our focus is on facilitating intentional learning and engagement through the use of gamified techniques. Designed intentionally with nondigital elements, it mirrors a cooperative board game. This game…
Descriptors: Music Education, Gamification, Musical Composition, Scaffolding (Teaching Technique)
Aaron Lohmeyer – Action, Criticism, and Theory for Music Education, 2023
Teaching for musical meaning can be a multifaceted topic, since a universally accepted definition of musical meaning is elusive; yet musical meaning remains at the heart of music literacy. Music literacy is equally complex, as changes in technology constantly reorganize how musical sounds are produced, recorded, and transmitted. Today, musical…
Descriptors: Music Education, Literacy, Syntax, Suprasegmentals
van Zoelen, E. Joop – Research and Issues in Music Education, 2023
Music students often encouter problems in reading sheet music, because of the complexity of Traditional Music Notation (TMN). Klavar is an alternative music notation system that is simple, intuitive, and easy to learn. Thousands of compositions from many composers are available in Klavar. In its original form, Klavar can be considered as tablature…
Descriptors: Music Education, Music Theory, Music Reading, Musical Composition
David Ben Shannon – International Journal of Qualitative Studies in Education (QSE), 2024
In this paper, I draw from an in-school music research-creation project to consider the complex, racist-ableist politics of failure in the early childhood classroom. I theorise failure as it unfolds through anxiety, which I conceptualise as an affect of failure, to discuss both the perverse possibilities and perilous precarities of (neuro)queer…
Descriptors: Music, Musical Composition, Special Education, Affective Behavior
Anthony K. Brandt – Creativity Research Journal, 2024
Works of art have value not only as entertainment and aesthetic expression -- they also externalize features of human cognition that would often otherwise remain hidden. A musical example from the 19th century is a striking case in point. In 1819, Austrian music publisher, editor, and composer Anton Diabelli invited fifty-one of Austria's most…
Descriptors: Creative Thinking, Musical Composition, Intellectual Disciplines, Music Activities
Booth, Nikki – British Journal of Music Education, 2022
The notion of the spiral for progression and development is familiar both in general educational discourse and in the domain of music education. This brief article considers the spiral within the context of lower secondary school group composing in England. Through the use of examples taken from two schools in the English midlands, it argues that…
Descriptors: Formative Evaluation, Spiral Curriculum, Secondary School Students, Music Education
Lee, Sanghoon – Creativity Research Journal, 2020
According to Franses (2013, 2014, 2016), artists such as painters, writers, and classic composers did their best work at the optimal moment in their lives, and the moment was found to be close to the divine proportion of 0.6180. This study showed that, on average, songwriters wrote their own hits at 0.5206 of their life, which seems to be related…
Descriptors: Singing, Music, Musical Composition, Age Differences
Paul Louth – Music Education Research, 2024
The Society of Music Analysis report indicated that digital music often sits uncomfortably within a curriculum where the main focus is on the non-digital. This article takes as its starting point a broad definition of digital music as both a type of music and a way that music is represented. It will examine how digital music has altered the music…
Descriptors: Music, Literacy, Critical Literacy, Music Education
Lei Lei – Education and Information Technologies, 2024
The research purpose is to investigate the ways of using new technologies in music education and help scholars analyse the motifs of national music culture and folklore in modern "electronic music." The research uses the oscillation coefficient to identify the key features of electronic music, combined with folk music, the rich melisma…
Descriptors: Music Education, Technology Uses in Education, Musical Composition, Audio Equipment
Haley J. Nutt – Journal of Historical Research in Music Education, 2024
In 1950, percussionist and pedagogue Paul Price established an accredited collegiate percussion ensemble course at the University of Illinois Urbana-Champaign, the first of its kind in the country. In this article, I argue that Price's accreditation of the genre, coupled with his many other entrepreneurial initiatives, was made possible by the…
Descriptors: Educational History, Higher Education, Musical Instruments, Accreditation (Institutions)
Gallo, Donna; Kuchenbrod, Emily – Music Educators Journal, 2022
In this article, we situate songwriting in elementary spaces as a vehicle for personal and musical expression and informed by popular music practices. We offer insights for how educators can anchor students' work by encouraging them to create songs for a specific purpose like shedding light on social issues relevant to their lives. This article…
Descriptors: Relevance (Education), Singing, Musical Composition, Writing (Composition)
Estrada, Tara Carpenter; May, Brittany Nixon – General Music Today, 2019
Music and visual art share many common elements, principles, and processes. The numerous commonalities shared between music and visual arts afford for natural, meaningful integration opportunities that create natural synergies. Synergy or syntegration is achieved when the learning outcomes accomplished through the integration of subjects are…
Descriptors: Music, Musical Composition, Musicians, Visual Arts
Matthew Clauhs; Beatrice B. Olesko; Martina Vasil – Music Educators Journal, 2024
Modern band programs have spread throughout the United States to create learner-centered and culturally affirming school music experiences for children. The four key concepts of modern band, (1) approximation and scaffolding, (2) decision-making, (3) iconic notation, and (4) culturally sustaining (music education), are congruent with many…
Descriptors: Music Education, Elementary Schools, Musicians, Music Activities
Després, Jean-Philippe – Research Studies in Music Education, 2022
Accessing the strategies implemented during real-time musical creative processes represents a challenge for researchers. Retrospective verbal protocol with subjective aided recall (RVPwSAR), where a first-person video is used as an aid to elicit feedback from a subject, has shown great potential for the study of real-time decision-making in sport,…
Descriptors: Music, Creative Activities, Video Technology, Feedback (Response)
Howley, Rachel – International Journal of Music Education, 2021
Gender in music has been explored over recent decades with growing recognition of the challenges that are faced by women in the field. There has been substantial work exploring the Western music canon but little that addresses the music of Australian women, and more specifically, repertoire written for the wind band genre. With thousands of…
Descriptors: Foreign Countries, Musical Instruments, Music Teachers, Females