In embracing lingocentric educational methods, dance has reinforced dichotomous thinking and traditional dualities of mind/body and language/movement. Formal structures of critical responses to choreography have left out reflective methods that are generative, embodied, and participatory and those that challenge lingocentric methods of feedback.…

This article investigates sustaining dance education in light of the Syrian Civil War, exploring questions such as: How might dance education continue when one is in exile? What happens when exile, dance, and education intersect? This article seeks to untangle these broad queries in relation to the experiences of three dancers from Syria--Sara,…

This article forms part of a larger qualitative, conceptual project that investigates the ways in which Laban Movement Analysis (LMA) can contribute to the larger field of dance research and education with reference to dance, new technologies and particularly notions of space in screendance. Screendance refers to a dance that is specifically made…

The paper begins by drawing upon research to understand the genealogical position of dance within the school curriculum as a new 'entitlement' for all young Australians. Whilst dance is included within the Australian curriculum it has been historically marginalised as a 'soft' subject within curriculum hierarchy. This low position in the…

Considering the COVID-19 pandemic, teaching, and learning encounters in higher education have changed. Online teaching has become routine and a variety of virtual learning platforms are being explored. Within this article we, two higher dance education teachers and researchers, reflect on using TikTok in our work. Taking a duoethnographic…

In world music ensembles such as African and African Caribbean percussion ensembles, the Gamelan ensemble, and the Latin marimba ensemble, members may sing a song, play instruments, and dance simultaneously. This practice is known as music multitasking. For musicians in Western art music traditions, music multitasking can be a challenge. This…

Choreography classes rooted only in modern/post-modern/contemporary dance (hereafter referred to as contemporary dance ), fail to provide racial equity to today's college students. Dancers with backgrounds in forms other than contemporary dance such as hip-hop, salsa, kathak, etc., must learn a new set of movement principles and aesthetic values…

I argue that personal style in improvisational dance is, amongst other factors, a matter of the dancers' attunement to sets of affordances. We can use the language and theory of affordances and enactive embodied cognition as a teaching tool to improve our students' improvisational practice. Often when a student's improvisational skill has…

This article aims to examine the integration of Students as Partners (SaP) in dance education. An SaP teaching framework has been embraced by academic educators from various disciplines to improve engaged learning. To encourage autonomy and choice making in their education, students can partner with faculty to design a dance curriculum.…

This article follows a university dance educator's journey through shifting pedagogy to create a more equitable learning environment, turning traditional didactic dance education models inside out. Inside-Out Prison Exchange Pedagogy, designed to facilitate dialogue across differences, was utilized for a movement-based course of university…

This critical review aims to expose the confusion that exists in professional arts criticism in general, and dance criticism in particular--with implications for dance education. The underlying principles of formalism are outlined and its strengths and weaknesses highlighted. A demand for more interpretive, theoretical and contextual criticism is…

Drawing from social science, educational, and legal scholarship, this article examines color-blind and color-conscious ideologies and their impact on dance education. It demonstrates that color-blind racial ideology produces numerous deleterious effects among teachers, students, and the general population, and it illustrates how these adversely…

This study aims to provide practical methods for teaching "world/urban" dance courses in higher education in the 21st century. We discuss problematic terminology in our courses and suggest a new term to better reference these dance forms. Eight methods are discussed for assisting teachers and expanding student perspectives in…

Somatic memoirs from the author's participation at dance intensives with acclaimed dancer-choreographer Moustapha Bangoura in the West African Republic of Guinea reveal how solo dance experiences can test acoustic literacy, promote music interaction, and foster an aptitude for movement invention. These skills are fundamental to West African dance…

Undergraduate research papers offer a difficult challenge for students to demonstrate primary and secondary research skills, knowledge of dance practices and their histories, and clarity of written communication. This article demystifies the research process specifically for use in dance studies and dance history classrooms by demonstrating common…