This article focuses on resilience and chronic pain in the context of choreography and performance. Through critically-creatively reflecting on my practice-as-research project, "Ecologies of Pain," I explore practices of resilience that emerge from turning towards and working creatively with chronic pain. I draw from two strands of the performance research -- collaborating with disabled artist Raquel Meseguer and devising a new autobiographical solo performance, "Pain and I." Taking disability studies as my critical framework, I think through a cripped politics of resilience, where chronic pain bodies are understood as valid, valuable and skilled.