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Siciliano, Lisa M. – Teaching Artist Journal, 2021
At the beginning of the 2020 pandemic, I grew concerned and also curious about how theatre educators would transition theatre and drama instruction to an online platform. I began a research study interviewing theatre artists while they shifted their formerly in-person summer camps to virtual spaces. One of those instructors, Flannery, was…
Descriptors: Theater Arts, Art Education, COVID-19, Pandemics
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Gaines, Andrew M. – Teaching Artist Journal, 2016
Teaching physical theatre successfully relies on a reverence for the human soul in order to cultivate risk-forward embodiment while demanding technical precision. In an effort to illuminate such praxis, this article documents and analyzes the experiences of novice physical theatre performers guided by master teaching artist and performer, Dr.…
Descriptors: Transfer of Training, Theater Arts, Artists, Art Teachers
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Vanover, Charles – International Journal of Qualitative Studies in Education (QSE), 2014
This ethnodrama communicates the lived experience of an outstanding teacher of English who worked in the Chicago Public Schools for more than 20 years. Excerpts from three semi-structured interviews have been constructed into a one-woman show that uses music, dance, and the art of theater to convey the spiritual beauty of ambitious, urban teaching…
Descriptors: English Teachers, Public School Teachers, Secondary School Teachers, Urban Teaching
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Mjanger, Ruth – Research in Drama Education, 2014
This article explores the use of poetic inquiry in a transnational competence-building Shadow Play Project. Based on journals from four Nepalese preschool teacher educators, I present and interpret examples of data poems that portray the teachers' experiences of ownership in the project. My discussion intends to make explicit some aspects of the…
Descriptors: Theater Arts, Preschool Education, Teacher Education, Teacher Education Programs
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Hunter, Mary Ann – Research in Drama Education, 2008
Performance-making and peace-building are processes predicated on the production of safe space. But what is "safe space"? In performance-making, what is it that makes space safe without losing the creative potential of tension? What role is there for risk? And, once achieved, how does safe space become meaningful beyond its immediate…
Descriptors: Social Change, Teaching Experience, Classroom Environment, Theater Arts
Srnic, Vesna – Online Submission, 2007
The purpose of this project, which the author as a mentor has realized during the 2006/2007, was to invent new Educational model, to fill the gap in Education by showing the positive influence of Multimedia Art, especially Multimedia Performance on Permanent Learning at the level of primary school students, college students and teachers or on…
Descriptors: College Students, Mentors, Theater Arts, Teaching Models