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Peer reviewedOkur, Nilgun Anadolu – Journal of Black Studies, 1993
The Afrocentric theories of Molefi Kete Asante are examined as they relate to drama. It is argued that the fundamental principle in understanding African-American drama rests on viewing it as a means of total creation deriving power from the interaction of the self, the community, and the cosmos. (SLD)
Descriptors: African Culture, Afrocentrism, Black Attitudes, Black Community
Peer reviewedKambon, Kobi K. K.; Hopkins, Reginald – Journal of Black Psychology, 1993
In "On the Desirability of Own-Group Preference" (1993), Michael L. Penn, Stanley O. Gaines, and Layli Phillips argue that misguided and mythical ideal of racial-social integration in America is the only reasonable and effective foundation for real African empowerment in American society. Serious intellectual battle will be required to…
Descriptors: Afrocentrism, Blacks, Cultural Awareness, Cultural Differences
