Publication Date
In 2025 | 0 |
Since 2024 | 0 |
Since 2021 (last 5 years) | 1 |
Since 2016 (last 10 years) | 1 |
Since 2006 (last 20 years) | 2 |
Descriptor
Oral Interpretation | 4 |
Poetry | 4 |
Higher Education | 3 |
Teaching Methods | 2 |
Affordances | 1 |
Assignments | 1 |
Bus Transportation | 1 |
Citizen Participation | 1 |
Classroom Techniques | 1 |
College Freshmen | 1 |
College Students | 1 |
More ▼ |
Publication Type
Journal Articles | 4 |
Reports - Evaluative | 4 |
Guides - Classroom - Teacher | 1 |
Education Level
Postsecondary Education | 2 |
Higher Education | 1 |
Audience
Location
New York (Syracuse) | 1 |
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Morrison, Kevin A. – English in Education, 2022
Can verse mediate between the educational institution and the wider community of which it is a part? Utilising a case study of a specific taught module, this essay considers whether the performance of poetry as an experiential learning activity has a role to play in the emerging concept of the university as an anchor institution, a term that…
Descriptors: Poetry, Oral Interpretation, Urban Universities, Experiential Learning
Keaton, Megan – CEA Forum, 2015
Scholars and teachers often focus only on alphabetic texts in the classroom (Palmeri; Alexander and Rhodes; Jewitt; Selfe; Shipka); however, we do our students a disservice if we do not prepare them to compose with and understand the rhetorical consequences of using a variety of modes. In this article, I argue that we need to teach our students to…
Descriptors: Affordances, Poetry, Visual Arts, Singing
Eva-Wood, Amy L. – Journal of Educational Psychology, 2004
What role can emotions play in informing readers' interpretations of poems? This think-aloud study, with an experimental design, featured 10 college freshmen randomly assigned to 2 groups. The think-aloud (TA) group verbalized thoughts while reading 2 poems, and the think-and-feel-aloud (TFA) group voiced both thoughts and feelings. Participants…
Descriptors: Poetry, College Freshmen, Protocol Analysis, Emotional Response

O'Brien, Jill L. – Communication Studies, 1989
Examines performance as a literary critical method. Describes group performances of James Dickey's "The String" in an advanced college interpretation course, and considers two central issues: (1) what is learned through the performance of a specific literary work; and (2) what features of a concrete text require performance attention,…
Descriptors: Classroom Techniques, Critical Reading, Higher Education, Inferences