In her seminal text, "Feminist Theory: From the Margin to the Center," bell hooks calls attention to the "transformative impact the eradication of sexist oppression could have on all of our lives." She goes on to say that "challenging sexist oppression is a crucial step in the struggle to eliminate all forms of…

In world music ensembles such as African and African Caribbean percussion ensembles, the Gamelan ensemble, and the Latin marimba ensemble, members may sing a song, play instruments, and dance simultaneously. This practice is known as music multitasking. For musicians in Western art music traditions, music multitasking can be a challenge. This…

This article revisits the "jongo" activity 'Pisei na Pedra' (2014) integrated into the "Nossa Casinha" guide (Martins & Sala, 2022) for teaching Portuguese to migrant children. "Jongo" is seen as an Afro-Brazilian form of expression, encompassing chants, drumming, collective dance, and spirituality (Rufino, 2014,…

This study aims to provide practical methods for teaching "world/urban" dance courses in higher education in the 21st century. We discuss problematic terminology in our courses and suggest a new term to better reference these dance forms. Eight methods are discussed for assisting teachers and expanding student perspectives in…

Somatic memoirs from the author's participation at dance intensives with acclaimed dancer-choreographer Moustapha Bangoura in the West African Republic of Guinea reveal how solo dance experiences can test acoustic literacy, promote music interaction, and foster an aptitude for movement invention. These skills are fundamental to West African dance…

Hip-hop is an African folk art birthed in America. Whether one simply observes the tonal language that puffs the breath of life into the lyric prose of rap music, the poly-rhythms of the "boom-bap" rhythmic phrasings that became a fixture of New York rap music in the late 1980s, the winding syncopation from the pounding "808"…

Indigenous dances in communities that underwent European colonialism and Christianization are currently practiced in environments that still carry colonial legacies. Without formal dance teachers' training programs and frameworks, individuals in postcolonial Africa have leveraged local resources, social experiences, and individual innovation to…

This article examines the musical enculturation and early education of Wagogo children of the Dodoma region in central Tanzania. In support of the enculturation premise, long-standing practices in musical enculturation among the Wagogo are described, most of which are continuing today. The Wagogo hold to the belief that the behaviours of both…