Despite collaboration among different professions being recognized as fundamentally important to contemporary and future healthcare practice, the concept is woefully undertheorized. This has implications for how health professions educators might best introduce students to interprofessional collaboration and support their transition into…

Reflecting on a prototype event, "A Recovery Arts Café," this article examines how recovery communities can be staged through collaborative performance events that directly engage with what it means to be "in recovery" from addiction. I theorise recovery and performance practice as particular forms of affective ecology, or…

Despite a diverse and vibrant contemporary artistic scene, East Africa sees less international exposure than other regions on the continent; this article argues that a new approach to understanding the complexities and value of performance in the region is fundamental to developing the sector. East African Soul Train is a pop-up residency, which…

This article explores how intergenerational performance ecology might distinctively contribute to developing an ecological performance practice. It focuses on a practice-led research project, "Wild Life"--a collaboration with professional and nonprofessional child and adult performers. Drawing on critical perspectives in ecology and…

As artist and social researchers working in health research, we work 'against the grain' in marginalised spaces to resist the marketisation of knowledge and related neoliberal practices. Our cross-disciplinary alliance, between theatre / performance studies and critical health science, is premised on engaging the humanities, arts, and social…

The article examines the ways in which failure operated in the devising process with a colleague with learning disabilities. Themes of collaboration, co-creativity and power relations are set within the account of a process between the author and a research participant with learning and physical disabilities. The postdramatic device of failure…

The Laboratory for Global Performance and Politics at Georgetown University is an interdisciplinary endeavour operating at the intersection of theatre and international relations. It develops new work; presents global performance; establishes dynamic networks of young and established artists; and cultivates diverse community and financial…

This article moves on from the 'turn to affect' in applied theatre to explore further how concepts related to affect theory might offer ways in which practice might respond to the contemporary context of a 'post-normal' and 'post-truth' world. Acknowledging the influence of transdisciplinary discourses on gender, race, disability, space, place,…

Drawing from my first-hand observations and embodied experiences of having collaborated with HORA over the course of several years, this paper discusses an under-investigated area within the field of disability and performance: pioneering work by directors and with learning or cognitive disabilities, an area which has not yet been addressed in the…

The field of literacy education encompasses many different modalities of reading and writing the world, including those of drama, theatre, and performance practiced in both school and community settings. As contemporary theatre practices have broadened performance creation approaches available to literacy and arts educators working with youth and…

This article puts forth the reflections and questions of three artists at People's Light and Theatre (Resident Teaching Artist Sara Waxman, Resident Director Samantha Bellomo, and Producer for Arts Discovery Programs, Wendy Bable) in their ongoing dialogue on the intersection of media, young artists, and theatre-making in the Teen Summerstage…