This is an attempt to articulate and explore the relationship between the science of memory and the applied theatre project, "The Not Knowns." The project was a collaboration between theatre practitioners and a psychologist who worked together with a group of young people known, problematically, as the "not knowns" throughout…

This article considers two examples of life story performance: the first autobiographical work about the author's recovery from stroke, and the second the life-story production Re-Live Theatre's "Memoria" about dementia. It explores how performing life stories facilitates connection between performers with transformed cognitive…

This article considers the challenges of juggling the demands of motherhood in the experience of early career researchers operating in the British neoliberal academy, and discusses opportunities for alliance and resistance.

This short case study gives insight into a theatre-making project with young lesbian, gay, bisexual and trans-identified people. The author reflects on the capacity of collaborative arts practice to open discussion around identity and allow space to re-imagine lived experience through metaphor and mythology. She focuses on the central role of the…

Julie Salverson, a Canadian scholar-practitioner, has long challenged the assumption that personal storytelling within Community-Based Theatre is necessarily therapeutic. Salverson critiques an "aesthetic of injury," arguing that theatre practitioners have foregrounded personal narratives in a way that reinscribes a "victim…

This paper focuses on several images and metaphors from an artist residency at the Evelina Children's Hospital and subsequent production at the Unicorn Theatre, "For the Best." The intention is to consider how reflecting on an arts-based process with children on dialysis, and their school-mates can provide new ways of viewing performance…

This paper aims to explore a range of aesthetic aspects involved in the devising and production processes of oral history performance in a classroom setting. It touches upon the ethical dimension of aesthetics employing the Confucianist Wang Yang Ming's aesthetic philosophy and Buber's theories of relation as the theoretical frames. The devising…

This essay analyses "Through the Wire", an Australian verbatim play by and about asylum seekers, in order to investigate both the figure of the performing witness and the function of performing witness in and through theatre. It suggests that while the characters, actors and spectators involved in the play are all "performing…

Testimony typically privileges singular subjectivity; as a means of representing psychological trauma, it is thought to bear witness to an individual's unique experience. This essay interrogates the question of singular subjectivity, arguing that a community can be the nexus around which witnesses "gather" the human and historiographical…

This paper examines how drama teachers' identities play a part in their teaching practices in schools. It highlights what can be learned from drama teachers' expressions of self for their classroom content and management. Much of the current research into teachers and teaching is concerned with "good practice" where students are placed at the…

Presenting a story of an ill person, in comparison to a description of illness, as well as activating a narrative approach toward this person increased the probability in subjects of helping behaviour?in this case the promise of donations of bone marrow for leukaemia patients or willingness to spend time on soliciting money for other people's…