Imagining Spanish America as Eden and sublime force, colonial environmental aesthetics inaugurated American "disponibilité," figuring environment in the colonial matrix of power as the non-place outside of European time and space. The image of the garden evoked by this aesthetics corresponded to the desired, secular transformation of…

In Spanish language curricula, it is essential that we teach about "afrodescendientes" in Latin America and the Caribbean to present an inclusive representation of the diverse people, practices, and cultural products. Their perspectives and cultural products must be integrated in the curricula of Spanish undergraduate programs beyond the…

Working at the intersections of Latin American film studies, Afro-Latin American studies, digital humanities (DH), and decolonial pedagogical praxes, this article aims to engage with educators interested in teaching about Afro-descendant representation, antiracist audiovisual productions, the legacy of the African diaspora in Latin America, and…

By reclaiming the power of self-definition and the use of the term "travesti" to designate their unique experience within the Latin American cultural, economic, and political context, "travesti" intellectuals have fought the dehumanization of their personhood. In her novel "Las malas," the Argentine author Camila Sosa…

Through her epistolary correspondence and her novel "Ifigenia" (1924), Teresa de la Parra (1889-1936) questions racial stratification systems reminiscent of colonial times and still present in twentieth-century Venezuela. Parra establishes the malleability of racial categories through a moderate racial discourse that intends to…

This article looks into the place of Machado de Assis in literature and his peculiar treatment of intertextual sources through a careful analysis of three short stories from the collection "Histórias sem data." "The Devil's Church," "An Alexandrian Tale," and "The Academies of Siam" are clearly set apart…

This article discusses the representation of news media in two crime novels by Argentine writer Claudia Piñeiro: "Betibú" (2011) and "Las maldiciones" (2017). It proposes that in these two novels, Piñeiro addresses both the limitations and the possibilities of activist journalism in the twenty-first century. Piñeiro's work…

A central theme throughout Machado de Assis's works is the way characters look at each other inside and outside houses. This article argues that vision, race, and houses define his narrative strategies in the short stories "Pai contra Mãe" and "O Caso da Vara," and the novels "Dom Casmurro," "Memórias póstumas de…

In scholarship on language pedagogy, there is growing momentum for teaching Afrodescendant literature in language classrooms. Various teachers and scholars of languages and literatures have responded to the need for greater racial inclusion in language curricula by exploring approaches to teaching Afro-Hispanic literary texts (Villegas Rogers…

Following several calls in recent scholarship for increased attention to the study of the Central American diaspora in the United States, this article offers readings of Honduran-born author Roberto Quesada's novels "Big Banana" (1999) and "Nunca entres por Miami" (2003). Written in New York City, where he has resided since…

The poem "Ritmos negros del Perú" by Afro-Peruvian writer Nicomedes Santa Cruz recovers Afro-Peruvian history and agency through the retelling of the journey of a mythical grandmother. Through the retelling of her story, the poet claims blackness and African roots as pillars of Peruvian culture. In so doing, Santa Cruz opens the door not…

In her 2010 novel "Sangra por la herida," the Cuban novelist, poet, and essayist Mirta Yáñez constructs a panoramic view of metropolitan Havana, following the model of Latin American fiction starting in the 1980s based on a revised version of the detective novel. "Sangra por la herida" functions best as a narrative that…

This article examines Julio Cortázar's short story "Las babas del diablo" from a visual perspective and at the intersection of Roland Barthes's ideas on photography and Severo Sarduy's theory on the Neobaroque. I propose that in "Las babas del diablo" photography and the Neobaroque--two seemingly unrelated concepts--interact…

This essay seeks to situate Eugenio Aguirre's novel, "Isabel Moctezuma," in the ongoing intertextual debate over the place of la Malinche in Mexican history and consciousness. As the title of the novel suggests, the protagonist is not Malinche, but rather another indigenous woman, the first-born daughter of the Aztec emperor, Moctezuma…

This article examines Octavio Paz's canonical study of Mexican identity, "El laberinto de la soledad", against the backdrop of the current political environment in the United States; it interrogates how we can make Paz's rich, ambitious text meaningful for today's undergraduates. How can we teach "El laberinto de la soledad" in…