Describes a theater for children and youth on the island of Aruba and the celebration of the project in a youth theater festival. Outlines the goals of the theater project. Discusses the development of the festival plays, the themes expressed in terms of metaphor, and the communication through objects used in the plays. (CR)

Describes a drama lesson in which a class of grade-one students spent one and a half hours engaged with second-year elementary education student teachers. Illustrates the power of drama to deeply engage students in a range of language arts activities. (SR)

The paper considers the definition of high quality preschool from a Vygotskian perspective. Similarities and differences in the issues faced in Russia and those in the United States are discussed as background. Three major ideas are considered from the work of Vygotsky and of his students/colleagues, Daniel Elkonin and Alexander Zaporozhets. The…

The centenary of the first performance of J. M. Barrie's Peter Pan was celebrated in December 2004. Taking account of the various events in Britain to mark the occasion--newspaper articles, radio and television programmes, retrospects in the original theatre--this article examines the status and popularity of Peter Pan after a hundred years. The…

Recommends using improvised drama to foster students' sensitive and critical reading of literature. (AEA)

Various techniques are described for which a teacher might use dramatics in a classroom situation. Questions which might be asked by the classroom teacher include: purpose and use of drama in the classroom; development of skills; classroom space problems; and time. (JN)

Discusses how story enactments can be used in preschool and kindergarten classrooms to allow children to take on the role of storymaker and to provide experiences for children to draw upon as they learn to read. Offers tips for individual story writing and suggestions for group story telling. Asserts that a variety of storymaking experiences…

Proposes several strategies for overcoming obstacles to an integrated methodology, and to student interests and learning, in teaching a foreign language dramatic literature course. The activities focus on both reading and writing of drama, characterization, and interpretation. (CB)

Explores the beliefs of an elementary school teacher who consistently used drama in her classroom. Finds that the use of drama is contingent on the teacher's beliefs about the kinds of support provided within the school, about the value of drama, and about her own ability to structure effective drama experiences. (SR)

Discusses how outdoor play can be as effective as indoor play in facilitating young children's development. Offers advice on selection of toys and materials; organization of play spaces; addition of movable toys and equipment; ways to stimulate imaginative outdoor play; and playground safety. (TJQ)

Discusses, in poetic form, the writing of the play "Salvador" from the perspective of the author. Explains her thoughts about writing for children, including didactic relationships with children, didactic functions of art, and how adults teachers try to create a sterilized, lifeless, good-thinking, and artificial world for children when they are…

Reports on 10 documents from the ERIC system that provide insight on the creative process and information on a variety of creative classroom activities. (PD)

Discusses how prop boxes enhance learning and are resources in multicultural and nonsexist primary education, focusing on play, experimentation, and cooperation. Examines integration of prop boxes into the curricula and activities, and presents examples of generic and specific multicultural prop boxes that incorporate art, music, foods,…

Discusses "socio-play," an innovative Soviet educational philosophy geared to developing individual and group creativity using theatrical techniques in the classroom. Describes how to use several theatrical games and acting techniques in the classroom, and discusses results. (SR)

States that the need for developing creative thinking is currently seen as one of the most pressing needs in the Soviet Union. Describes an innovative aesthetic elementary education program in which students, teachers, and parents work together. (SR)