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Walsh, Edward R. – Parks and Recreation, 1979
Creative noncompetitive games are described. (JD)
Descriptors: Cooperation, Creative Activities, Games, Play
Thompson, Jane – Adults Learning (England), 2001
Describes a Voluntary Arts Network program involving the Globe Theatre in London that is focused on realizing the cultural and creative potential of lifelong learning by involving adult volunteers in drama projects. (SK)
Descriptors: Adult Education, Community Education, Creative Activities, Drama
Jarvis, Michael – International Journal of Art and Design Education, 2004
In this paper I emphasise the continuing importance of painting as a critical art practice. Contemporary art has always, naturally, reflected the development and exploration of new technologies and our current postmodern era is no different. However, despite our obsession with, and increasing reliance on, computer and filmbased technologies, it is…
Descriptors: Teaching Methods, Art Education, Creative Activities, Early Childhood Education
West, Colleen N. – Journal of Physical Education, Recreation & Dance (JOPERD), 2005
Rhythm tap is sweeping the nation as an outlet for self-expression. Also known as "jazz tap" or "percussive tap," this art form's dominant focus is musicality, improvisation, simple-to-complex rhythms, and new styles. It reaches beyond technique and serves as an outlet for self-expression, independence, and spontaneity. Rhythm tap incorporates an…
Descriptors: Dance, Creative Activities, Physical Education, Dance Education
Sawyer, R. Keith – Educational Researcher, 2004
Teaching has often been thought of as a creative performance. Although comparisons with performance were originally intended to emphasize teacher creativity, they have become associated instead with contemporary reform efforts toward scripted instruction that deny the creativity of teachers. Scripted instruction is opposed to constructivist,…
Descriptors: Creative Teaching, Creative Activities, Discussion (Teaching Technique), Cooperative Learning
Blatner, Adam – Journal of Creativity in Mental Health, 2005
An essential element in successful psychotherapy involves helping clients become more creative in their approach to their problems. While Otto Rank, one of the pioneers of psychoanalysis, loosely alluded to this as a fitting goal, it was the inventor of psychodrama, Jacob L. Moreno, MD (1889-1974), who made this an explicit objective of the…
Descriptors: Creativity, Creative Activities, Psychiatry, Patients
Wallace, David – Teaching Artist Journal, 2005
All teaching artists have taken unexpected detours that lead to miracles. They have all created magical experiences in which people are too engaged to notice the incredible amount they are learning. As a TA, one searches for "serious play"--purposeful fun that stimulates exhilarating work and genuine learning. But how does it happen? How do TAs…
Descriptors: Play, Teaching Methods, Educational Environment, Creative Activities
Bruce, Bertram; Lin, Ching-Chiu – E-Learning, 2009
A youth community informatics (YCI) research project intersected an inquiry learning model with the making of audiovisual podcasts to foster personal growth and community engagement in a group of Mexican American youth enrolled in an afterschool program. Specifically, the article describes the cycle of inquiry together with the development of a…
Descriptors: Creative Activities, Mexican Americans, Inquiry, Citizen Participation
Maples, Joellen – Clearing House: A Journal of Educational Strategies, Issues and Ideas, 2007
In this article, the author describes a personal teaching experience that led her to incorporate improvisational drama into her English classroom. The author describes justifications for implementing drama into the classroom as well as the possible benefits gained by teachers and students. Also included are several improvisational dramatic…
Descriptors: Teaching Experience, Creative Activities, English Instruction, Drama
Mid-South Regional Resource Center (MSRRC), 2008
This document was developed by the Mid-South Regional Resource Center (MSRRC) and is designed to be used as an assessment of State systems by State Part B and Part C staff and their stakeholders. It provides a detailed process for State Education Agencies (SEA) and Lead Agencies (LA) to follow that will guide improvement efforts relative to the…
Descriptors: Stakeholders, Educational Indicators, Educational Improvement, Program Improvement
Williams, Patricia; Hammer, Margaret; McCauley, Joyce K.; Sullivan, Sam – Action in Teacher Education, 2007
How can university faculty use communicating-to-learn activities to enliven discussions, check understanding, and assess learning? By incorporating various reading, writing, listening, speaking, and thinking strategies into their classes, faculty are teaching through example and are making classes invigorating. As such, their undergraduate and…
Descriptors: Education Courses, Creative Activities, Instructional Materials, Demonstrations (Educational)
Harms, L. S., Ed.; Barber, Richard J., Ed. – 1978
This collection of scenarios of the communication futures in Hawaii was produced by the Hawaii Communication Future project as part of an ongoing attempt to bring about the greater awareness of potential communication problems and possibilities for the people of Hawaii. It begins with a discussion of guidelines for writing scenarios of the future…
Descriptors: Communication (Thought Transfer), Communications, Creative Activities, Futures (of Society)

Chamberlain-Rickard, Patricia – American Annals of the Deaf, 1982
A creative movement and dance program at the New York State School for the Deaf uses multisensory creative activities to help meet language arts objectives. (CL)
Descriptors: Creative Activities, Dance, Deafness, Hearing Impairments
Schwartz, Judith – Journal of Physical Education and Recreation, 1979
An international conference on "Dance and the Child," held in Edmonton, Canada, concerned itself with the belief that dance should become a part of the education of children as performers, creators, and spectators. (JMF)
Descriptors: Audiences, Children, Creative Activities, Dance
Weissblum, Aaron – Zip Lines: The Voice for Adventure Education, 2001
A "flow chart day" is a block of uninterrupted time during which a group participates in a series of preplanned, possible activities in arbitrary order to promote group unity and a sense of being in the moment. Instructions for coordinating the experience, suggestions for group activities, and a "flow chart" are included. (SV)
Descriptors: Creative Activities, Flow Charts, Group Activities, Group Unity