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Showing 361 to 375 of 503 results Save | Export
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Schuller, Tom – Studies in the Education of Adults, 2004
Imagery could add an extra dimension to analyses of lifelong learning, which need to draw on diverse sources and techniques. This article has two principal components. First I suggest that the use of images might be divided into three categories: as illustration; as evidence; and as heuristic. I go on to explore the latter two categories, first by…
Descriptors: Lifelong Learning, Imagery, Adult Learning, Art History
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Stevens, Lori – School Arts: The Art Education Magazine for Teachers, 2004
The author describes a lesson she did on abstract art with her high school art classes. She passed out a required step-by-step outline of the project process. She asked each of them to look at abstract art. They were to list five or six abstract artists they thought were interesting, narrow their list down to the one most personally intriguing,…
Descriptors: Studio Art, Visual Arts, Artists, Art History
Yokley, Shirley Hayes – 1995
This paper explores the question of introducing a critical pedagogy of representation into the art classroom, what it means and how it works. A critical pedagogy of representation holds socially transformatoryugoals that work toward a critical democracy. The approach affords opportunity for oppositional readings of texts and images by opening up…
Descriptors: Aesthetic Values, Art, Art Criticism, Art Education
Kauppinen, Heta – 1991
Strategies for organizing and sequencing peace education programs in art education are explored. First, the concept of peace and the development of peace education are examined. The affirmation of peace as life, justice, and freedom contains four areas of study for art education: (1) human relations; (2) cultural diversity; (3) the environment;…
Descriptors: Art Education, Art History, Cultural Awareness, Cultural Differences
Kelchner, Thomas A. – 1991
Many aspects of discipline-based art education (DBAE) can be used with mentally retarded students and the effects of this approach can be exciting and fulfilling for them. Art criticism activities improve mentally retarded students' visual awareness, verbal skills, and ability to think independently. They are able to progress through the steps of…
Descriptors: Art Activities, Art Criticism, Art Education, Art History
Montgomery County Public Schools, Rockville, MD. Dept. of Instructional Planning and Development. – 1979
Brief course descriptions and educational objectives of the art program in grades 9-12, Montgomery County Public Schools, Rockville, Maryland, are provided. Courses are elective and may be grouped into two sequences. Students with broad interests may elect Fundamentals of Art and continue with a series of studio art classes. Students interested in…
Descriptors: Aesthetic Education, Architecture, Art Appreciation, Art Education
Iurgel, Ido A. – 2003
Experiencing artworks in the Web aggravates the problem of the absence of any historical, cultural and social context, because the Web is a veritable nowhere. This paper stresses the importance of a social and narrative access to art, and presents an interactive group of virtual characters as an alleviation of this problem. The benefits and…
Descriptors: Access to Information, Art, Art Appreciation, Art Education
Sustik, Joan M. – Performance and Instruction, 1981
Describes the development of a retrieval system which used an interactive computer and an intelligent videodisc system to locate materials in the art school slide library. A survey of faculty, staff, and students indicated that user reaction was favorable, although image quality did arouse major concern. (MER)
Descriptors: Academic Libraries, Art Education, Art History, Higher Education
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Jacobson, Rovena E. – Community and Junior College Journal, 1980
Introduces the J. Paul Getty Museum as Santa Monica College's satellite center for art history courses. Cites the museum's proximity, frequent use of the collection by instructors, and the museum's utilization as a learning center without tuition as benefits of the cooperative arrangement. (CAM)
Descriptors: Art History, Arts Centers, Community Colleges, Educational Facilities
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Stokrocki, Mary – Studies in Art Education, 2000
Comments on the article, "The Unexplored: Art Education Historians' Failure to Consider the Southwest" (Peter Smith). Discusses art education sources on historical research that were omitted from the article. Addresses the difficulties in the value placed on historical research in the southwestern United States. (CMK)
Descriptors: American Indian Culture, American Indian Education, American Indians, Art Education
Osterer, Irv – Arts & Activities, 2001
Provides a history of typography and discusses the effects of technology. Describes an art project in which high school students designed contemporary typographic specimen sheets. Explains that the students created their own broadsheets using Macintosh computers and QuarkXPress desktop publishing. (CMK)
Descriptors: Art Education, Art History, Computer Software, Computer Uses in Education
Collegiate Microcomputer, 1990
Describes 38 database projects sponsored by the National Endowment for the Humanities (NEH). Information on hardware, software, and access and dissemination is given for projects in the areas of art and architectural history; folklore; history; medicinal plants; interdisciplinary topics; language and linguistics; literature; and music and music…
Descriptors: Architecture, Art History, Computer Software, Databases
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Raben, Joseph – Computers and the Humanities, 1991
Provides an overview of the development of humanities computing during the past 25 years. Mentions the major applications of the computer to humanities disciplines including the generation of concordances, attempts at dating works of major authors, proving authorship, defining style, and compiling indexes. Discusses lexicographical uses and…
Descriptors: Art History, Computational Linguistics, Computer Uses in Education, Databases
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Sowell, Joanne E. – Art Education, 1993
Argues that teaching methods usually associated with art history are not appropriate for the subject. Contends that the learning cycle method, based on active, exploratory learning, is much more conducive to student learning. Contends that students learn more and enjoy the course more with this approach. (CFR)
Descriptors: Art Education, Art History, Cognitive Processes, Course Descriptions
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Wilton, Shirley – History Teacher, 1999
Describes Generation X students. Believes that teaching history to Generation X requires rebuilding the connections between community college teachers and four year schools that invent the "new history." Discusses how teachers can use the new history, "reflexive methodology," pictures from art history, and storytelling in the…
Descriptors: Art History, Community Colleges, Educational Practices, Generation Gap
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